tag:blogger.com,1999:blog-212859102024-03-12T20:11:46.577-07:00MusicBizAdvice BlogMusicBizAdvice.com Editor-in-Chief Randi Reed shares music industry tips, advice, editorials, and observations on the music business. Topics include songwriting, artist management, booking, concert promotion, publishing, indie music, DIY, and other advice for musicians.RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comBlogger89125tag:blogger.com,1999:blog-21285910.post-29618588652123272742017-10-03T20:18:00.000-07:002017-10-03T20:28:29.708-07:00The Genius of Tom Petty's Lyric WritingThis is one of those blog posts I’ve been trying to write all day, but I feel too gutted to write coherently. I hope it makes sense.<br />
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In times like this--after things like hurricanes and the horrific event in Las Vegas--people in the live music community turn even more strongly to music. Yesterday, we lost Tom Petty, one of our those whose music I often turn to during such times.<br />
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Tom Petty’s “Refugee” fueled my rock and roll dreams. If I had fifty cents for every time I’ve belted along to that plaintive wail of his on “Refugee,” I would be very rich. (Fifty cents was the price of the jukebox at the pizza joint we liked. You got two songs, but the jukebox had a $.50 minimum.)<br />
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And “American Girl”? Dreaming of leaving the small town I was stuck in as a teenager, I <i>was</i> that girl in the first verse. Damn…How did he know?<br />
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Ironically enough, my “a little more to life somewhere else” included working for a promoter, and later for an agent, who each happened to do a lot of Tom Petty shows. <br />
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Tom Petty was <i>so</i> beloved in the industry. I really hope he knew that, because he was one of those stalwart, hardworking artists you thought would always be there. Even at 66, even after years of what touring wear and tear does to the body, even after the rock and roll lifestyle, we all thought he’d always be here. <br />
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In the music business, one of the ultimate compliments you can pay an artist is to still genuinely love their music just as much after working on one of their projects as you did before. I never stopped loving Tom Petty's music. If anything, my respect for him grew even more.<br />
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In my humble opinion, “American Girl” is a piece of underrated song lyric writing genius. I think it gets overlooked because like one of my favorite authors, Raymond Chandler, TP chose plain and simple words for his storytelling. There are no flowery metaphors or overblown words… just, honest, gritty truth. <br />
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And, like Raymond Chandler, Tom Petty made his writing look easy. Only when you actually try to write something like it yourself do you realize just how damn hard it is to do.<br />
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In fact…go listen to “American Girl.” I’ll wait. If you have Apple Music ('cause, you know, <i>Beatles</i>), the lyrics are there when you click on the song. If you don’t know the words, you’ll probably need the lyrics, because like Mick and Elton, TP had a wonderful way of garbling his words. (God love ‘em, I can never understand what Mick and early Elton are singing.)<br />
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OK, ready? Listen to the way each word in “American Girl” is placed, and where each one rises and falls to the music…Not even <i>to</i> the music. <i>In</i> the music would be more accurate to say. In “American Girl” the music and lyrics are firmly meshed into each other, as if they appeared at the same time via some sort of simultaneous creative combustion.<br />
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And how the hell did a 26-year-old guy so accurately capture the psychology of a young girl? In my writer’s group, men far older than twenty six struggle with writing female characters. <br />
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In “American Girl” Tom Petty doesn’t just write a female character, he knows what’s going on in her head better than she does. He knows how she got to that place, “stan-ding a-lone on her bal-con-NAY-AY.”<br />
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In writer’s terms, the girl in “American Girl” is the ultimate of a fully developed character. How many novelists, having far more words and time from the reader to work with, can say that?<br />
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And while we're talking about writerly things...how 'bout
that slick change in Point of View, from the verse to the chorus and then back again? He goes from being the distant narrator to being in the story with her. Not
easy to pull off, my friends...I've been writing since I was six and
still struggle with POV. <br />
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Then there’s the ambiguity of that one line in the chorus: “Take it easy, baby / make it last all night”: Is she Hoovering up all the cocaine, or is she, to put it delicately, having an intimate encounter with the narrator, and he’s telling her to slow down? <br />
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The interpretation is up to the listener…or to the singer, if you’re covering it with your band. Either interpretation works, and in a way that manages to slip past the ears of censors and parents. <br />
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“American Girl” wasn’t the only time Tom Petty’s lyrics accurately got into the head of a girl. He also does it in the first verse of “Free Fallin’”: “Loves horses, and her boyfriend too.” Sorry guys, but for a girl of that age, TP nailed down the order of importance. The horse knows it <i>all</i>. Tom Petty somehow knew this.<br />
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This morning it was cloudy outside…uncharacteristic for L.A. at this time of year. A layer of storm clouds, running in a straight line, literally covered the sunshine, which was peeking out from underneath. <br />
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As I looked out my kitchen window while I listened to “American Girl” and made my coffee on the brightly colored vintage tile counter tops I’d pictured as a kid dreaming of L.A., I realized there was probably a rainbow somewhere over Los Angeles.<br />
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I’d like to think that if there was, it was for Tom Petty. The band shell of the Hollywood Bowl, where he just played last week, has always reminded me of a rainbow. <br />
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RIP TP. You will be missed.RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-58624923642831565672015-07-07T00:07:00.001-07:002015-09-16T12:36:50.118-07:00The Roles of the Agent, Manager, and Promoter: How Concerts Are Booked, and Who Does What<span style="font-family: "Trebuchet MS",sans-serif;">Every summer, I get questions about how concerts are booked and how the relationships between band, manager, agent, and promoter work together. Many of the questions are based on an incorrect public perception that bands “just decide” to put on a show or “just decide” to go out on tour, or that the band hires a promoter.<br /> <br />I’m not sure where they got those assumptions, but the public literally has the process backwards. Maybe the plot of the old Mickey Rooney / Judy Garland “Let’s put on a show!” movies still lingers on in the media. The fact that artists are contractually prohibited from discussing deals doesn’t help, so when an artist talks about the latest tour, it can sometimes seem like all the planning comes from the artist.<br /> <br />For those who may have missed it on MusicBizAdvice.com, once again, here’s how concerts are booked: <br /><br />This post covers the traditional, local promotion method of booking shows. Unless the artist is an established star artist with a 360 deal on a major label or is the opening act for a major artist's tour, the artist is most likely to book shows by multiple promoters over the course of a tour. (Top concert artists' tours are usually handled by one promoter for the entire tour.) [Specifically, top concert artists' tours are usually handled by one promoter for the entire tour, with various services contracted out to local promoters. <i>Added for clarification by Randi Reed 9/16/15.]<br /> </i><br /><b>Artist</b> = band or performer. That may seem obvious, but I include it to prevent people and search engines from inquiring about paintings.<br /> <b><br />Manager</b> = oversees all aspects of an artist’s career. The manager works with the artist to develop a long-term career plan and oversees all aspects of the artist’s business life. In the context of booking live performances, the manager helps the artist decide which employment offers are most helpful to the long-term career plan. The agent, not the manager, does the actual booking.<br /><br />The manager has many roles in the day-to-day operations of the band’s career. A few examples include communications with the label, assisting the artist with hiring additional musicians, hiring crew members, and tasks that help the artist manage his personal life as well.<br /><br /><b>Agent (also known as Talent Agent)</b> = Think “employment agent”. The agent seeks employment opportunities for the artist in the form of offers from promoters, presents the offers to artist’s manager, and then negotiates the contracts for the offers the artist accepts. The agent sees that all contractual obligations for the show are met by the promoter, and if something goes wrong with a booking, the agent works to resolve it on behalf of the artist. In many states in the U.S., a licensed talent agent is the only person who can legally negotiate an employment contract for an artist. Talent agencies are also governed by some of the same laws as employment agencies for other professions. <br /> <b><br />Concert Promoter (also known as Talent Buyer, aka show Producer, aka Presenter)</b> = the artist’s employer for live performances. Specifically, the artist is an independent contractor hired by the promoter. <br /> <br />The title “concert promoter” is a bit of a misnomer, because the promoter’s job is everything relating to the entire show, from hiring the artist to advertising and promotion. Venue rental, permits, staging, local personnel, security…if it’s needed to make a show happen, the promoter is responsible for doing it. That’s why some show contracts refer to the promoter as “Producer”. (In some cases where the artist travels with their own staging or production, the promoter reimburses the artist’s costs. But not always.) Other show contracts refer to the promoter as “Purchaser” because the promoter is purchasing a service from the artist, but in context of live entertainment, they all mean the same thing.<br /> <br /><b>The relationship between Agent, Manager, and Concert Promoter, and how they work together in a traditional booking arrangement:<br /><br />1. </b> The artist’s agent obtains offers for show bookings from promoters. For artists with an established reputation, promoters usually reach out to the agent with offers that include breakdowns of ticket prices proposed by the promoter, the expected gross, and expected expenses. <br /><br /><b>2. </b> The agent presents the offers to the artist’s manager, who helps the artist choose the offers that stand the best chance of helping the artist’s career.<br /> <br /><b>3. </b> The agent then negotiates the contract for the accepted offer, issues the contracts, and obtains a non-refundable deposit from the promoter. The dollar amount of the deposit depends on talent agency policy and the promoter’s stature and reputation in the industry, ranging from 10% to 50% of the artist’s guaranteed fee.<br /> <br /><b>4.</b> The promoter does his part, the artist shows up and performs the show, and everyone gets paid.<br /><br />You’ll notice I haven’t mentioned specific types of deals, or "standard" or “typical” percentages of splits, or “typical” artist guarantees. That’s because despite what you may have been told by an insistent promoter, there’s no “standard” type of deal or “standard” split between artist and promoter. I say this as someone who has worked on both sides of the contract, who has seen offers come in and go out for many types of artists, from local club band to international superstar, for every major city in the U.S. and abroad. There are <i>many</i> different types of deals and splits. Here’s why:<br /><br /><b><i>Ticket prices and artist guarantees are based on whatever the market will bear at a given time.</i></b> <br /><br />The conditions of the concert marketplace vary from year to year, as well as by artist (and that artist’s accompanying demographics and box office history), place (and that city’s accompanying demographics), and by what time of year the show will happen.<br /> <br />Other major factors include <b>the type of show</b> (Is it a one-off show or part of a tour? Is the show at the beginning of a tour? Or is it part of a string of added dates to a sold-out tour? Is the tour a reunion tour? Is the show at a special venue? What's the venue capacity?), <b>where the artist is in the arc of their career </b>and<b> what’s expected to happen during the period the show or tour takes place</b>, the <b>number of artists of a particular genre who are on tour at that time</b>, how many<b> other artists with similar ticket prices to the artist's </b>are out on the road at the same time, and <b>how many artists with big ticket prices will be going on sale or will be out on the road at that time</b>. <br /><br />I haven’t even mentioned the <b>overall economic conditions</b> of wherever the concert or tour will take place: do people have money to spend, and if so, are they likely to spend that money on entertainment? Are gas prices expected to be unusually high or low? That affects the costs of touring. All these things are major considerations.<br /><br />Given all those variables, you can see how types of deals and their accompanying ticket prices and splits can vary tremendously. Now throw in relationships and any favors one party may happen to owe another—remember, <i>the music business is a people business based on relationships, favors, and timing</i>. Suddenly, what might seem “standard” to one may be very low or very high to someone else. <br /><br />At this point, you may be wondering, "What about agent-less booking apps indie musicians use to book shows?"<br /><br />In that case, the artist is acting as their own agent, so everything the agent would do becomes the artist's responsibility.<br /><br />In some ways, agent-less booking apps make it easier for artists who don't have access to a good talent agent. It's hard to get a good agent, and to get a good one, more often than not the artist must be signed to a label.<br /><br />However...After a certain point, using an app instead of a good licensed talent agent can be detrimental to the artist, because apps tend to devalue the artist in the live music marketplace. A good agent constantly reassesses his clients' value in the live music marketplace and knows how and when to negotiate better offers to advance the artist's career. <br /><br />Most importantly, if something goes wrong with a show, the agent is the artist's most important ally. In the legal agreement between an artist and a licensed talent agent, the agent agrees to represent the artist in matters relating to any employment he or she has procured for that artist. Not only that, <i>in many states a licensed talent agent is legally bound to represent the artist when something goes wrong with a booking they procured</i>. <br /><br />Promoters know this and tend to treat artists with good licensed talent agents more professionally. Without a good agent, the artist is vulnerable. <br /><br />My advice for artists? Use an agent-less booking app only as long as you have to. Meanwhile, never trust a promoter to do all the advertising for your shows. In live entertainment, the artist's only leverage is the number of people who actually buy tickets and concessions, so work your butt off to promote and advertise your band and your shows in order to consistently increase the size of the audience for every show. Then use the leverage of your ever-increasing draw to get a good licensed talent agent.<br /><br />Randi Reed, </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;">Founder, MusicBizAdvice.com<br /><br /><br /><br /><span style="font-size: x-small;">©2015 Randi Reed and MusicBizAdvice.com. All rights reserved.</span></span><br />
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RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-41957256826709738202014-11-17T14:19:00.000-08:002014-11-17T14:24:54.671-08:00Music Industry Resume Blunder (And What to Include Instead)<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;">Music business resumes can be daunting to put together, especially if you're new to the music industry and are assembling one to try to get an internship or entry-level job behind the scenes.<br /><br />If you want a behind the scenes job in the music industry, or any creative industry for that matter, you must remember one very important thing: <br /><br />You must actually want to work <i>behind the scenes</i>. (You'd be amazed at how many people forget that part.)<br /><br />Your resume must demonstrate that. Here's why:<br /><br />If you want to promote your own music career, working for another musician probably isn't going to get you there. You'll be too busy trying to move your own career ahead to do a
great job on the tasks that can move your boss's career ahead, and vice-versa.<br /><br />If you want to be famous, you more than likely won't cut it at all. <br /><br />That would be kind of like working for the royal family and thinking that by doing so, you could become a king or queen yourself. Ain't gonna happen, my friend. Not in today's music industry, and especially not on someone else's dime.<br /><br />As the saying goes, "it ain't about you."<br /><br />I'm writing about this because more and more, when I review internship applications I see resumes highlighting the person's musical abilities rather than skills they can bring to the tasks at hand. I also meet and get emails from people who think they want to work behind the scenes and ask for advice how to get in, but after a question or two it's clear they really just want to be famous themselves.<br /><br />That's not what an employer wants. <br /><br />Approaching a job with that mindset also isn't healthy for you. </span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;">Your employer is not going to hear you sing. <br /></span></span><br />If, on the other hand, you're the kind of person who really likes to know--and can handle the realities of--what goes on behind proverbial circus tent, you might have a shot. <br /><br />You must also enjoy dealing with all that goes into pulling the rabbit out of the hat to make the magic happen*. In a pinch, you might even have to help do some of the hoisting or make a run for carrots when that bunny doesn't want to budge (though if you're good at your job, you already have those carrots in your back pocket just in case). <br /><br />I <i>love</i> all that stuff. The first time I was backstage at a big show, I found all that frenetic activity far more fascinating than anything my own band was doing. I quit my band the next week and never looked back. <br /><br />More importantly, until years later when I actually had to do a bio, I didn't include my musical experience in my resume. Instead, I highlighted the fact that I'd managed our band.<br /><br />Consider that your test if you want to work behind the scenes: do you freak out at the thought of not including your musical experience in your resume? Are you OK with it if the subject never comes up?<br /><br />Think about it very carefully before you apply for a job behind the scenes in the entertainment industry.<br /><br />There was a time when an aspiring musician could use a behind-the-scenes job as an entry to his or her own career. With the shrinking of the music industry, those days are over.<br /><br />No more reality show contestant wannabes working behind the scenes, please. Just people who can deal with reality!**<br /><br /><br /><br />*No bunnies were harmed in the writing of this post, or at any time during my career. (It's a metaphor, people.) Although there was a guy who ate live crickets onstage...<br /><br />**No, I'm not hiring. I'm speaking in general terms.<br /><br /><br /><br /><br /></span></span>RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-56182944056821858462014-09-04T20:16:00.003-07:002014-11-17T14:34:37.262-08:00Can We Talk? Joan Rivers Haters, Get Over it Already!<span style="font-family: "Trebuchet MS",sans-serif;">God this blog is becoming a montage of R.I.P. notices lately.<br /><br />Joan Rivers would hate that. So I'm not going to do that to her, although I do wish it for her. </span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">My heart goes out to her family, friends, and all who knew and loved her.</span><br />I didn't know Miss Rivers personally but have booked her, and we had many, many mutual colleagues and friends. (S.L., you did a fantastic job with her career. Kudos.) My heart goes out to them. It's painful enough for those of us who weren't the closest. <br /><br /> Some people resonate through their friends and colleagues, via their friends' and colleagues' warm words. Joan Rivers was one of those beloved people. Everyone who worked with her loved working with her, and I've never met anyone who didn't feel that way about her personally as well.<br /><br />She hated the word "legend" but she was, in the best sense of the word, in which a legend is current as well as with a long-respected body of work.<br /><br />There's so much I want to say about Miss Rivers, which I will when I collect my thoughts, because she defined the words "trailblazer"and "resilience", but for now, I want to address her haters:<br /><br />Get a clue. (Actually, Miss Rivers would have said, "Get a F******g clue" and probably would have added a "shut up" as she did to her hecklers, so I went really easy on you.)<br /><br />If you're offended by the thing she said to Splash Media about "Palestine" you're either grossly misinformed or weeks out of date. Miss Rivers addressed it personally weeks ago on her website. Either you didn't get that memo, or are determined to be nasty and hateful and don't care.<br /><br />She was an 81 year-old woman caught off guard, ambushed by cameras, and she said "Palestine" when she was talking about "Hamas".<br /><br /><a href="http://joanrivers.com/2014/08/15/a-further-clarification/" target="_blank">She addressed and explained this on her website soon after</a>, but the media, loving a controversy, didn't report that part of the story. <br /><br />She wrote her statement herself, from the heart, rather than having a publicist write it for her. It wasn't her style to have a publicist write something for her when, as a writer, she was perfectly capable. <br /><br />One thing I know about Miss Rivers--and anyone who worked with her will concur--is that Miss Rivers didn't apologize or explain herself unless she sincerely meant it (much to the chagrin of the suits who often tried to get her to). She didn't believe in placating people.</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">I respect her for that.<br /><br />Show up on time, know the material, hit your marks, do your best, and if it doesn't work out that night, the show goes on, so you do it again the next night. A total pro, that was always Miss Rivers' motto as a performer.<br /><br />At the age of 81, she was booked through late November (that I know of--it could be more). The average age of her viewers was 22.5 .<br /><br />I respect her for that, too. And much, much more, which I'll address in another post.<br />RR</span><br />
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<br />RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-81418384725787796302014-09-03T02:02:00.001-07:002014-09-03T02:18:16.791-07:00R.I.P. Survivor Vocalist Jimi Jamison 1951-2014<span style="font-family: "Trebuchet MS",sans-serif;">One of my earliest vocal influences, Jimi Jamison, passed away over the weekend on Sunday, August 31, 2014 (or perhaps the early hours of September 1).</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">You may not recognize the name Jimi Jamison, because aside from his work with post-"Eye of the Tiger" Survivor, you had to be a bit of a liner notes geek to know his work. As a kid, I happened to be one of those liner notes geeks, and Memphis-based Jimi Jamison happened to be one of the"go-to" guys for backup vocals for many of the artists I heard on the radio. <br /><br />That statement doesn't do Jimi Jamison's voice justice, though.</span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"> Pre-Pro-Tools,
Jimi's voice possessed all four elements of what I call "The Four Perfect Vocal Attributes Of a Great Studio Singer": Soulful, </span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">Beautiful,</span></span></span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"> Powerful, </span></span>and </span></span>Blendable. </span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">Very few
voices have all four elements, and at his best, Jimi Jamison could pull
any combination of them out of his pocket to suit the needs of a
particular track. </span></span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /><br />Jimi Jamison's studio work was prolific, but Jimi's backup vocalist work I remember hearing the most as a kid </span><span style="font-family: "Trebuchet MS",sans-serif;">were ZZ Top's <a href="http://en.wikipedia.org/wiki/Eliminator_%28album%29" target="_blank"><i>Eliminator</i></a> album (his backup vocals can be heard on "Legs," "Gimme All Your Lovin'" and others) and </span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">Krokus's Bob Rock-produced <i><a href="http://en.wikipedia.org/wiki/The_Blitz_%28Krokus_album%29" target="_blank">The Blitz</a> </i>album (on which you can most clearly hear him on "Our Love Will Never Die"</span>). </span></span></span> <br /><br />Had he never joined Survivor, which gave him a wider audience, MTV video exposure, and a string of hits courtesy of Survivor's Jim Peterik and Frankie Sullivan's songwriting talents, Jimi Jamison would still have made an OK living as a studio backup and and jingles singer, just as he did before joining Survivor in 1984. When Survivor's lead singer Dave Bickler left the band due to throat problems (long since resolved), Jimi became Survivor's lead singer and found success with the band's <i>Karate Kid</i> soundtrack single and subsequent <i>Vital Signs</i> album and <i>Rocky IV</i> soundtrack single. <br /><br />Jimi Jamison's lead vocal duties included pre-Survivor stints with D. Beaver, Target, and Cobra. According to a 1993 interview with Deep Purple's Jon Lord, at one point Jimi was asked to join Deep Purple as a replacement for the just-fired Ian Gillian but had to decline, as he was officially still in Survivor. Post-Survivor, Jimi </span><span style="font-family: "Trebuchet MS",sans-serif;">co-wrote and performed the theme from <i>Baywatch</i> and recorded and toured as a solo artist.<br /><br />It was always Jimi Jamison's backup vocalist work that intrigued me most, though. It takes a certain kind of singer to be a successful studio singer, and not many can do it. It's not your project, and the meter's running, so you have to be able to not only deliver, but get it the way the producer wants it on a time crunch.<br /> <br />On a personal note, many years ago, Jimi Jamison was one of my first-ever interviews. It was for a school project and was my first full-length interview, and to get it I went through the same proper channels any other journalist had to go through in those days.<br /></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">Not yet having a clue about the mechanics of touring at that time, it wasn't until much later that I realized how cool it was of Jimi to even do that interview: it </span>took place outside, after a Survivor show, on a hot June evening--with a show the next day that required travel by tour bus. Not only was Jimi nice about doing an interview during the load-out, he even had fun with it and treated me like I was a professional journalist instead of like a kid. <br /><br />Moreover, he immediately put me at ease: when I turned on the tape recorder, he leaned in as if he was about to tell me a deep dark secret...<br /><br />...and recited paraphrased lyrics of <i>"The Ballad of Davy Crockett"</i> ("I was born on a mountain in Tennessee, I killed a b'ar when I was three".)</span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"> I'm sure I wasn't the first person Jimi told that version of his "life story" to, but it was so corny it was hilarious. After a good laugh we did the real interview, and he gave me </span>my first-ever "scoop": he'd just completed backup vocals on Joe Walsh's <i><a href="http://en.wikipedia.org/wiki/Got_Any_Gum%3F" target="_blank">Got Any Gum</a></i> album. </span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /><br />Another
thing I remember about that evening was the proud smile Jimi had when he mentioned his then little boy, James Michael, whom he clearly adored.</span> Later, Jimi wrote me a kind letter, which I still have somewhere in a box of rock and roll mementos. <br /><br />Here's where things get a little complicated.</span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">I lost track of Jimi's projects for a while, and although </span>I could do the Hollywood thing and gloss over it or give you a "happy unicorns" Hollywood version of why, that would be a lie. Life isn't all happy unicorns. People are multi-faceted. People have faults. No one is all wonderful or all bad. It's part of being human.<br /><br />There's no pleasant way to put this: in the '90's after Survivor broke up, there was a nasty legal battle over Survivor's trademark between Jimi and founding guitarist/Survivor songwriter Frankie Sullivan. Having liked Survivor's music before Jimi joined the band, and knowing it had been Frankie's band...let's just say I wasn't Jimi's biggest supporter during that time.<br /> <br />Frankie Sullivan eventually won the Survivor trademark, and he and Jimi settled their differences, even eventually becoming Survivor bandmates again. It took them a few attempts, plus a couple of other changes in the band's lineup, but in the end, they worked things out. </span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"></span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span></span><br />Best of all, for their Summer 2014 tour, Survivor added Dave Bickler to the band, with Dave and Jimi switching lead vocal duties and singing backup on each others' respective hits. Candid photos from Survivor's recent shows, including the August 30 show in Northern California the night before Jimi passed away, depict a band having a good time.</span><span style="font-family: "Trebuchet MS",sans-serif;"><br /><br />In the end, Frankie Sullivan, Jimi Jamison, and Dave Bickler did what's impossible for most of us after a major conflict: they worked it out, got along and respected each other, and had some fun. Given Jimi's ultimate passing, I'm especially glad they did.<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /><br /> </span></span>The music world lost an amazing singer this past weekend, and the angels got a voice that, at times, sounded like he already was one.<br /><br /> </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">R.I.P. Jimi Jamison.</span><br /><br />My deepest condolences to Jimi's Survivor bandmate brothers, family, and friends. <br /><br /><br /><br /><br /><br /><br /><br /><br /> <br /><br /><br /><br /><br /> </span><br />
<br />
<br />RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-6879417468793289532014-08-11T22:12:00.000-07:002014-09-03T02:23:55.665-07:00Robin Williams R.I.P. 1951-2014: Shining Brilliance<!--[if gte mso 9]><xml>
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<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;">Some people shine so brightly, the planet can’t contain
them.<br /><br />Like brilliant gems, they are the rarest of beings, created
under pressure, and sparkling.</span></div>
<span style="font-family: "Trebuchet MS",sans-serif;">
</span><br />
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;"><br />I think of Robin Williams as one of those people.<br /><br />No matter what endeavors they undertake, no matter how
successful they may be at those endeavors, and no matter how hard those people
may try to be like everyone else, they always shine brighter…whether they want
to or not, and whether or not they deep-down believe they even deserve to.<br /><br /> </span></div>
<span style="font-family: "Trebuchet MS",sans-serif;">
</span><br />
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;">It must be incredibly painful at times…<br /><br />Especially during those times when, instead of being a brilliant,
sparkling gem, maybe they just want to be a pebble and blend in.<br /><br /> </span></div>
<span style="font-family: "Trebuchet MS",sans-serif;">
</span><br />
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;">Shining brilliance comes with a lot of responsibilities, whether
they’re wanted or not.<br /><br /> </span></div>
<span style="font-family: "Trebuchet MS",sans-serif;">
</span><br />
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;">Shining brilliance is a lot to live up to.<br /><br /> </span></div>
<span style="font-family: "Trebuchet MS",sans-serif;">
</span><br />
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;">Today I heard a lot of people refer to Robin Williams and
his talent as “genius”.<br /><br /> </span></div>
<span style="font-family: "Trebuchet MS",sans-serif;">
</span><br />
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;">On any other day, I’d agree with them. I’ve said it myself
about him many times.<br /><br /> </span></div>
<span style="font-family: "Trebuchet MS",sans-serif;">
</span><br />
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;">Today, part of me aches when I hear so many people use the word
“genius” in reference to him, because I wonder if trying to live up to expectations
that come with that word contributed to his pain.<br /><br /> </span></div>
<span style="font-family: "Trebuchet MS",sans-serif;">
</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">I didn’t know Robin Williams, but he struck me as a gentle
spirit.<br /><br />Maybe, all that shining brilliance was too much to handle.
Maybe that shining brilliance was too much for a gentle spirit to grasp, and too
much to be contained in one human being, on one small planet.</span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /><br />Robin Williams' death came between last night's Supermoon, and tonight's Perseid Meteor Showers, which seems eerie and strangely fitting. </span><br /><br />Maybe, ultimately, all that shining brilliance needed to fly
free of the Earthly anchors that that must have strained to hold his creative spirit
enough for average mortals to even barely grasp…<br /><br />…Especially for him to grasp, because he, too was mortal.<br /><br />Fly free, and shine brightly, Mr. Williams. <span style="mso-spacerun: yes;">May you find peace. </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></span></div>
<span style="font-family: "Trebuchet MS",sans-serif;">
</span><br />
<div class="MsoNormal">
<br /></div>
<span style="font-family: "Trebuchet MS",sans-serif;">
</span><br />
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;">National Suicide Prevention Hotline</span></div>
<span style="font-family: "Trebuchet MS",sans-serif;">
</span><br />
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;">1 800 273 –TALK (8255)</span></div>
<span style="font-family: "Trebuchet MS",sans-serif;">
</span><br />
<div class="MsoNormal">
<br /></div>
RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-34324906399308081962014-08-11T21:41:00.001-07:002014-08-11T21:41:35.840-07:00Suicide Prevention Hotline Number (Robin Williams R.I.P.)<span style="font-family: "Trebuchet MS",sans-serif;">Los Angeles is a somber-feeling city today. It feels like the entire show business community is in mourning. I think we are.<br /><br />Robin Williams, one of the most creative, talented beings we've ever been blessed with, has died of an apparent suicide. He was struggling with depression and had battled addiction issues. He was sober for 20 years, and then his alcohol addiction took hold again.<br /><br />Robin Williams was so well loved in this town. He touched so many people with his talent, and his generosity, and his friendship. He was one of the few who people in this most self-absorbed of cities truly rooted for, and their love for him was genuine. The feeling of sadness in this town today is palpable.</span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;"></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;">If you or someone you know are struggling with depression and thinking of suicide, however fleetingly, call this number: </span><br />
<br />
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<br />RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-83713880472985621232014-08-08T19:40:00.002-07:002014-08-08T19:40:23.024-07:00I'm Quoted in Solveig Whitle's Musician Blog: "25 Tips From Music Marketing Experts For an Indie Release"Salutations!<br /><br />I'm quoted on the August 07 edition of the <a href="http://www.shadesofsolveig.com/2014/08/07/25-music-marketing-expert-tips-for-indie-release/" target="_blank">Solveig Whittle Music, Marketing, and Social Media </a>blog, (along with with some fabulous people like the legendary Bob Baker), in an article called "25 Tips From Music Marketing Experts For an Indie Release".<br /><br />One of the coolest things about the article is the breadth of ideas...everything from simple and easy tips, to detailed steps. There's really good stuff in there, from many points of view.<br /><br />It was an honor to be asked, and working with the Solveig Whittle team was a pleasure.<br /><br />I've had such a crazy week (three different deadlines), I haven't had a chance to even add it to the <a href="http://www.randireed.com/media-tools.html" target="_blank">Media Tools section of my bio</a> yet, so you're among the first to know.<br /><br /><i>Don't </i>follow my lead on that, by the way...Unlike me, when you get press or media attention, you'll do it correctly by adding it to the "Media" section of your website right away. Right??? <br /><br />Remember: media attention isn't isn't for your ego. It's to bring you new opportunities.<br /><br /><br />Have a great weekend!<br />RR<br /><br /><br />
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<br />RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-42778410763454364522014-07-30T16:40:00.002-07:002014-07-30T16:42:37.598-07:00How to Improve Your Stage Presence:Ten Steps to Becoming a Better Perfomer<span style="font-family: "Trebuchet MS",sans-serif;">This is directed at lead singers, but this post about live performances has a takeaway for anyone in a band.<br /><br />If your band is playing a lot of shows, or if you've done a lot of touring this year, at this point in the summer, you're either feeling energized. or tired. or frustrated. <br /><br />Maybe things aren't happening the way you'd like them to, and you're wondering how to get people to come out to see you perform.<br /><br />Touring or gigging is hard. Fun, yes, but hard, especially if you're trying to move up to the next step--more tickets sold, bigger venues, more music sales, more merch sales, better opportunities...whatever the "next" is for you.<br /><br />Here's one way to boost your shows and move toward your "next" without spending a dime:<br /><br />Improve your stage presence.<br /><br />Everyone, at every level of the business, strives to be a better performer every night than they were the night before. Even Mick Jagger.<br /><br />If you work on it consistently, and couple that with solid promotion, word gets out: "Wow, they were absolutely on fire tonight!" Or "Wow, what a different band than they were before!"</span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><br />I'd take improving your stage presence over spending an extra hour on Facebook any day, wouldn't you? </span><br /><br /><br />Yes, you still have to do the other things to promote yourself.. But at this point of summer, it's easy to become a little complacent with the show, or to slack off because you're tired and it's hot as hell. <br /><br />Don't be that person. Don't be that band. Get up. Stand up straighter. Take a little extra time with your clothes and appearance tonight. Walk out onto that stage taller, and strive to kick ass.<br /> <br /> If you're <i>not</i> the lead singer, discuss this with the rest of the band, so everyone's on the same page. (<i>NO</i> accusations. Just, "I think we can step up our game, me as much as anyone. I was reading this article..." and have them read it and this post. Be sure to include yourself in the "needs to improve" category.)</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span><span style="font-family: "Trebuchet MS",sans-serif;"> Otherwise, what will happen is, the one who's read the article will stand out too much, and the band won't look like a cohesive unit. Or, you'll have more enthusiasm than the others and your timing will be different because of your increased adrenaline, throwing the others off. <br /><br />A friend of mine worked with a drummer who suddenly decided to improve without telling anyone. Can you imagine? Don't do that...<br /><br />Resolve to make the next one your best show ever. Get everyone on the same page, get out there, and kick ass. Then repeat. </span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /><br />Here's how to improve your stage presence:<br /><br /><a href="http://musicbizadvice.com/advice/mbadc-performance-coach/from-lead-singer-to-front-man-10-ways-to-improve-your-stage-presence-and-entertain-an-audience/">http://musicbizadvice.com/advice/mbadc-performance-coach/from-lead-singer-to-front-man-10-ways-to-improve-your-stage-presence-and-entertain-an-audience/</a></span><br /><br />Have a great rest of the summer!<br /><br />Rand Reed</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;">Founder,<a href="http://www.musicbizadvice.com/" target="_blank"> MusicBizAdvice.com<br /></a>Follow me on Twitter <a href="http://twitter.com/musicbizadvice" target="_blank">@MusicBizAdvice</a> .<br /><br /></span><br />
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<br />RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-31511558145518110622014-07-27T23:30:00.000-07:002014-07-27T23:30:00.674-07:00Holy Crap, I'm Quoted on Forbes.com 7/27/14 (How to Land a Job In the Music Industry or a Job in a Competitve Environment or Win a Pitch)<span style="font-family: "Trebuchet MS",sans-serif;">So, I'd just finished publishing <a href="http://www.musicbizadvice.blogspot.com/2014/07/mbadc-editors-letter-july-27-2014-Motley-Crue-7-Things-Learned-This-Month.html" target="_blank">this</a> post and checked my email to discover <a href="http://www.forbes.com/sites/cherylsnappconner/2014/07/27/would-you-go-this-far-to-win-a-job-or-a-project/2/" target="_blank">I've been quoted on <i>Forbes.com</i></a></span> <span style="font-family: "Trebuchet MS",sans-serif;">in this article about creative techniques for how to win a pitch or land a job in a competitive industry:</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;"><a href="http://www.forbes.com/sites/cherylsnappconner/2014/07/27/would-you-go-this-far-to-win-a-job-or-a-project/2/" target="_blank">http://www.forbes.com/sites/cherylsnappconner/2014/07/27/would-you-go-this-far-to-win-a-job-or-a-project/2/</a></span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">Yeah, to land a music industry job, I really bought a ticket, stood in line, and waited for my potential boss to walk by. And it got me the job!<br /><br />It was one of my first big jobs in the music business, and I was so unsavvy that when I went to the job interview and the interview lasted less than five minutes, I thought I'd blown it. <br /><br />Later, my boss told me I got the job when I'd handed him my resume, and that the interview was just a formality to make sure I'd show up. He said he'd wanted to hire me on the spot because he knew I'd get the job done. <br /><br /></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">If you're going to try something creative to land a job, you must have something on your resume to bring to the table. Your resume has to be ready for whatever that job is, because for the employer, it has to be worth taking the risk to hire someone who does things a little differently. <br /><br />In my case, I'd been in bands and working around
them since I was sixteen, and had managed my own band and a local who grew a regional-ish following and got local airplay. The job I was applying for was a good fit, because it was the logical next rung on the ladder. <br /></span></span><br />Now...having said all that, we live in a different world now. That was long before 9/11 and public shootings and all that. These days, being too bold can easily get you booted out, blacklisted, or at the very least, looked at strangely. And there's email and social media, so if you do something stupid, people will know about it.<br /><br />Also, some people tend to take things over the line into stalking.</span> <span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">If a complete stranger did to me what I did to land that interview, I'd be freaked out. And it would be stalking. (Intention does not matter when it comes to stalking; it's the actions and how those actions make the other person feel.)<br /></span><br />Remember: <b><i>Although we'd never met, my boss and I were already talking, so I wasn't a complete stranger to him.</i></b> We just were having trouble scheduling a job interview because he was overwhelmed with work. So my goal was to show him that as his assistant, I could make his life easier by saving him steps. <br /></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><br />But it could have just as easily backfired. With some employers, it would have. Some employers <i>think</i> they want creative thinking, but they really don't. I may have just been quoted on <i><a href="http://www.forbes.com/sites/cherylsnappconner/2014/07/27/would-you-go-this-far-to-win-a-job-or-a-project/2/" target="_blank">Forbes</a></i> and on <a href="http://www.musicbizadvice.blogspot.com/2014/06/im-featured-on-chris-brogans-business-blog.html" target="_blank">Chris Brogan's business blog</a>, but I'm savvy enough to know that I don't fit into the company culture of most corporations.<br /><br />So, you must be creative and be bold, but not stupid. There has to be congruency between what you're pitching and where you're pitching it. </span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">And you must weigh what you're doing very carefully.<br /></span></span><br />Always, always, always put yourself in the other person's shoes and really think about what the worst possible scenario might be, and what the other person might possibly think. You may be a wonderful person, but a stranger doesn't know that. And if you frighten or creep them out, they don't really care. </span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /><br />MIght it frighten or creep them out? Especially if your potential boss is the opposite sex? </span></span>What if they're a nervous or paranoid person? What if they've been stalked in the past? And if the worst possible case scenario happens and that person thinks the worst, what are the consequences? <br /><br />Getting an FBI file because you got desperate with your job hunt is never a good idea.<br /><br />Good luck!</span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">RR</span> <br /><br /><br /><br /> </span><br />
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<br />RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-85357887755280418612014-07-27T15:59:00.000-07:002014-07-27T15:59:12.296-07:00MBADC Editor's Letter July 27, 2014: Dreams and Motley Redemption, and 7 Things I've Learned This Month<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;">What a week...<br /><br />Four hard deadlines, two more soft deadlines I really want to wrap up, and <a href="http://musicbizadvice.blogspot.com/2014/07/motley-crue-at-hollywood-bowl-72114.html" target="_blank">Mötley Crüe at the Hollywood Bowl</a>.<br /><br />For that matter, what a month.<br /></span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;">Things I learned this month (and it ain't over yet):<br /><br />1. If you want to be busier than ever, buy a good book you've been wanting to read. Your phone, texts, and email will go crazy, and the book will remain untouched. If it's a hard copy, it will remain exactly where you put it when you opened it.<br /><br />2. Doing two all-nighters and a three:AM-er back-to-back in a week to complete a last minute project is possible, though not necessarily recommended. (If you attempt it, your favorite Barista will begin making your drink before you even speak.)<br /></span></span> <br />3. Mötley Crüe at the Bowl + and your mom finally being declared Leukemia-free after months of countless rounds of chemo all in the same month?</span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;"><br /> = F**cking Priceless!!! :-)<br /><br />4. I gotta get a new exclamation phrase.<br /><br />5. Alice Cooper is an amazing performer. I'd booked him or worked on his shows many times over the years but had never managed to actually see his show (occupational hazard). If you want to learn how to command a stage, try to find a clip of Alice doing "Billion Dollar Babies" at the Bowl last week (7/2114), and watch how he moves. It's not how much he moves--it's the <i>way</i> he moves. Alice is just as commanding when he stands still.<br /><br />6. I already knew this, but this is for those of you who've found this blog via keywords like "How did Nikki Sixx get clean?" because of <a href="http://musicbizadvice.blogspot.com/2008/03/nikki-sixxs-heroin-diaries-recommended.html" target="_blank">this</a> post from 2008: <br /><br />You can do it, and work your butt off at it, your life can be even better than you've ever imagined. Witness: Nikki Sixx at the Hollywood Bowl last week. I remember when no one thought that man would live, and many people wrote him off and still won't talk to him because of things he said and did as a practicing addict. He stepped up, he did the work, and he still works hard every day to keep the great life he's slowly earned back. If Nikki Sixx can do it, I truly believe anyone can. <br /><br />7. Carl's Jr. does still have the Charbroiled Teriyaki Chicken sandwich. It's not on the menu, but they do still have it, pineapple and all. ;-)</span></span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;">8. Always remind your nervous lead singer to take off his laminate before going out onstage. (If he's really new, remind him to hand you his wallet and keys, because he's probably wearing those, too.) </span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;"><br />Now if I can just squeeze in that website redesign before the end of the summer...Oh, and I need to do some stuff to our much-neglected Pinterest. And about my Bio, which can't decide what font size it's going to display...<br /><br />Yeah, yeah, yeah, they're coming...<br /><br />No, but seriously, you'll be seeing changes to a lot of stuff in coming weeks and months, and you'll see a lot of things being taken offline, altered, and put back up again. Basically, a lot of experiments...er, uh, "<i>Beta Testing</i>." (Get real. It's experimentation.) Your patience is appreciated.<br /><br /><br />Hope your summer is going great, too!<br /><br />RR :-)<br /><br /><br /></span><br /><br /><br /></span>RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-71452823706055718962014-07-27T13:45:00.000-07:002014-07-28T03:16:49.877-07:00Motley Crue at the Hollywood Bowl 7/21/14: A Full Circle Alchemy of Dreams <!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><br />
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<span style="font-family: "Trebuchet MS","sans-serif"; font-size: 10.0pt; line-height: 107%;"><i><span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">By Randi Reed</span></span></i><br />
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Last Monday night (7/21/14) was Mötley Crüe’s homecoming show at the Hollywood Bowl, on the band’s <a href="http://www.motley.com/tour/" target="_blank">final tour</a>.</span></span></span><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="line-height: 107%;"><br /><br />I believe the band means it when they say this is Mötley Crüe’s last tour. Nikki Sixx has spent a large part of the last decade transitioning toward other endeavors, so I’ve been expecting it. I’ve also been dreading it, because it’s hard to say “goodbye.”<br />
<br />
I can’t be objective about this show, because I have too long of a history with Mötley. (Get your minds out of the gutter, <i><a href="http://www.amazon.com/gp/product/0060989157/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0060989157&linkCode=as2&tag=musicbizadvic-20&linkId=UI4XJ65Q7PM4A6XE" target="_blank">Dirt</a></i> fans. Not that kind of history.) So, instead of a review, I’d like to scribble a few thoughts and flashbacks from my keyboard…<br />
<br />
If someone had asked my teenaged self, back when I was starting to dream about living in L.A., to close my eyes and imagine what my idea of a perfect Mötley Crüe show would be, it might have looked a lot like Monday night’s show. It was a colorful spectacle of all good things Mötley…Fantastic lights, more pyro than I’ve ever seen at one show, and lots of “atomic fireballs,” as I call them. Kudos to SRae Productions. <br />
<br />
There were elements from the band’s entire career span—a pentagram here, <i>Theatre of Pain </i>colors there, the bandshell alternately flashing stripes of <i>Red White and Crüe </i>or playing the role of a glowing red pit of Hell. It all came together into a wonderful version of Mötley Crüe’s Oz…but thrown in a blender and whirled around a bit, and then spit out into something that actually made sense.<br /><br />As a kid I’d dreamed of going to shows at the Hollywood Bowl, and it’s still my favorite venue in L.A.. Mötley Crüe began their career epitomizing the Hollywood club scene, and I can’t think of a more fitting place for their homecoming show on their last tour. It was the perfect backdrop, and it’s not lost on me that the bandshell at the Hollywood Bowl is shaped like a stylized rainbow. </span><span style="line-height: 107%;"><span style="line-height: 107%;">And there was no better place in the world for them to perform “Saints of Los Angeles”.</span> <br />
<br />Somewhere in all that, obscured by their own smoke at times, was the band. Given Mötley’s history, that was fitting, too. <br />
<br />
Were they flawless? No. You don’t walk into a Mötley Crüe show expecting flawless. But they delivered, and they were perfect in their own wonderfully, humanly-flawed imperfect way. It was light years beyond <span style="color: black;">the show by a woefully messed-up version of themselves I’d walked out on during the <i>Girls Girls Girls</i> tour, and I’m proud of them. </span>Monday night’s show was a hell of a ride.<br />
<br />
As I write, I find myself struggling to find the right words. I’ve now written, scrapped, and re-written this paragraph six times. (Maybe “six” is fitting, too…)<br /><br />
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; line-height: 107%;">How do you say goodbye to a band you idolized as a kid, whose members you later came to see as people because you were fortunate enough to have a job that occasionally put you on their periphery?<br />
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<span style="color: black;">How do you say goodbye to a band who gave you the dreams that put you there? --And made you realize that maybe, if you worked really hard at them, you could make a lot of them come true?<br />
</span><span style="color: #c00000;"><br />
</span>Mötley Crüe taught me that not only did I have dreams, but to fight for them. Hard. <br />
<br />I learned it from watching them become rock stars, from afar, from a tiny Southern California town in the middle of nowhere, which I referred to as “Hell”.<br /><br />My town had no school (it was thirteen miles away) but it had two liquor stores, a convenience store, and a tiny post office that didn’t even deliver the mail. Most of the residents were retirees from Hollywood’s Golden Age, of which I had no appreciation until later. For a kid far too young to drive, it was planets away from civilization, and I was surrounded by “interesting characters” and messed-up people. Did I mention my town also happened be on a Meth Route? <br />
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Having moved there from the outskirts of a large Midwestern city, I was really pissed off at my parents. On a regular basis, I accused them of “stranding us in Hell” and plotted my escape. <br />
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A hint of Salvation came when a guy my parents knew found out I liked rock music. He showed me how to connect my stereo’s radio to cable, as you’d do for cable TV. So now instead of just reception for Big Band and Muzak, I could listen to every L.A.radio station. He also gave me a stack of rock magazines and told me where to find the current issues, which were hidden in an obscure rack at the convenience store.<br />
<br />
“Hell” was still hideous, but at least now I had something good to listen to, and new décor in the form of rock star wall paper. <br />
<br />
At the end of every week, L.A. rock stations used to read off a list of which bands were at what clubs. I remember hearing Palomino Club* ads for Mick Mars’ band Spiders and Cowboys and Starwood ads for Nikki Sixx’s band, London. London was in a couple of the rock rags, and though I’d never heard them, I was fascinated by them. Nikki Sixx had hair that looked like a cool sheepdog, and to me, he looked like a star. I also heard ads for Vince’s band Rock Candy, and not long after that, ads for Mötley Crüe, with that Nikki guy from London.<br />
<br />
Mötley Crüe was even more fascinating than London. In stage gear they looked like cartoon characters out of a nightmare…more so than KISS, who I liked but had never thought of as dangerous (Sorry, Gene). I had no idea what Mötley Crüe sounded like but was dying to see them, because word about Mötley was spreading fast. But going to shows was out of the question; in those days, concerts weren’t for kids. So when Mötley did an in-studio appearance on an L.A. radio show for <i>Too Fast for Love</i>, it was appointment radio. I posted a “Homework—Keep Out” sign on the door to my room so I could listen in peace.<br />
<br />
The<i> Shout at the Devil</i> album and “Looks That Kill” came along just when things were getting really crazy at home. <span style="color: black;">It was primal scream therapy, to the tune of Mötley Crüe, and “</span>Too Young to Fall in Love” could be heard emanating from my room at the back of the house on a regular basis.<br />
<br />How do you say goodbye to a band who gave you a way to cope when you were weighing your options between chaos at home or becoming a thirteen year-old runaway? –-A band whose music provided a mix of "F***k you" angry lyrics and “you can do it” musical optimism just when you needed it most? The irony of living in “Hell” and being “Saved” by a band whose image included fire and pentagrams still makes me smile.<br /><br />Little did I know, at the time, that learning how to deal with an interesting but troubled assortment of people would become an important skill for my future career in the music industry. And starting from age sixteen, the Mötley guys and I would have a lot of crisscrossing paths as I began to build my resume.<br /><br />Little did I know, Nikki Sixx would be one of those troubled people. He’s talked about and written about this period of his life, but at the time few people knew he was slipping back into his own version of Hell. Nikki was always nice to me, even giving me badly needed career advice once when I was stuck, and I felt guilty for not seeing how far he’d fallen again. Thank God Allen Kovac did--and is the kind of manager who doesn’t let addicts get away with the tricks they’re known for. And that Nikki stepped up and did what he needed to do to pull himself out of Hell. (Meanwhile, I finally stepped up and set out to learn about drug and alcohol addiction, which had claimed the lives of several people close to me.) <br />
<br />
Allen Kovac helped Nikki Sixx and his Motley cohorts find their dreams again—just like the band had helped me find mine as a kid, and probably countless others.<br />
<br />
All those things were in my thoughts leading up to Monday night’s show. And when the band hit the stage, I put it all on “pause”. I didn’t even take photos during the show, because I wanted to just experience and enjoy it. It was all a perfect alchemy of dreams coming true, and life, and triumph, and bittersweet joy.<br />
<br />
So how do you say “goodbye” to a band who gives you all that? <br />
<br />
</span><span style="line-height: 107%;">Maybe you don’t… Maybe you just say, “Thank you.”<br /><br />Thank you, Mötley Crüe: Nikki Sixx, Tommy Lee, Mick Mars, and Vince Neil.</span></span></span></div>
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<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">*The club where Mick’s band played when he met Nikki Sixx has been called the Stone Pony in various sources, including <i><a href="http://www.amazon.com/gp/product/0060989157/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0060989157&linkCode=as2&tag=musicbizadvic-20&linkId=UI4XJ65Q7PM4A6XE" target="_blank">The Dirt</a> </i>and <i><a href="http://members.ozemail.com.au/~cruekiss/history.htm" target="_blank">Chronological Crüe</a>,</i> The Stone Pony is in New Jersey and is where Jon Bon Jovi started out--not Mötley Crüe. <a href="http://en.wikipedia.org/wiki/Palomino_Club_%28North_Hollywood%29" target="_blank">The Palomino Club</a> on Lankershim Blvd. in North Hollywood is the club Mick was referring to. The name confusion may have been because Linda Ronstadt’s band, the Stone Poneys, had famously played there. It also may be that perhaps legal clearance to use the Palomino Club’s trademarked name couldn’t be obtained for publication in <a href="http://www.amazon.com/gp/product/0060989157/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0060989157&linkCode=as2&tag=musicbizadvic-20&linkId=UI4XJ65Q7PM4A6XE" target="_blank"><i>The Dirt</i></a>. There were several Liquor stores on Lankershim within easy walking distance from the Palomino, including Circus Liquors, which seems exactly like the kind of place a young Nikki Sixx would have chosen to work.</span></span><br /><br /><br /><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Follow me on Twitter<a href="http://twitter.com/musicbizadvice" target="_blank"> @MusicBizAdvice</a> .</span></span><br /><br /><br /><br /> <br />
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<span style="mso-spacerun: yes;"> </span><br style="mso-special-character: line-break;" /> <br style="mso-special-character: line-break;" /> </span>RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-62715557718001404942014-07-04T04:57:00.003-07:002014-07-17T10:05:59.866-07:00Shep Gordon: Manager Extraordinaire<span style="font-family: "Trebuchet MS",sans-serif;">As I was winding down for the night from a long day (it's now early A.M.), I happened to catch Mike Meyers talking about artist manager Shep Gordon on <i>Late Night with Seth Meyers</i>...which reminded me I've been wanting to post about Shep Gordon. <br /><br />If you don't know who Shep Gordon is and are in the music industry, or aspire to be, you should.<br /><br />Shep Gordon is one of the most legendary managers in the music business. Not famous legendary...Legendary as in, one of the most beloved people in the behind-the-scenes music industry. Everyone in the business who knows and works with him holds him in great esteem. <br /><br />Shep Gordon is one of the good guys.<br /><br />If you've never heard of him, it's because he's the kind of manager who believes, as I do, that managers belong behind the scenes. Not trying to be famous. Not appearing on reality shows. Just doing the best possible job to make your clients shine.<br /><br />Shep Gordon is the guy who made Alice Cooper a star by helping Alice to invent and craft his his image and stage show. He also created the concept of the celebrity chef with Emeril. Those are just two of his many accomplishments. </span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">But most of all, he's a well-loved connector of people. And a very nice guy. </span><br /><br />I grew up reading album liner notes with Shep Gordon's name in them, and I can't remember not knowing who he was. (Yeah, I'm that geek.) When I got into the industry working phones, the first time I answered a call from Shep Gordon I was more starstruck than when Alice himself called in. (Sorry Alice, you're great, but your manager's a legend.) <br /><br />It took a very long time for Mike Meyers to talk Shep Gordon into allowing him to make a documentary about him. I'm so glad he finally said yes. The result is <i>Supermensch, </i>and<i> </i> I hope tons of people go to see it.<br /><br />That sounds contradictory because of my "stay behind the scenes" theory. But artists who are new to the industry need to see examples of really good managers who are good people who care about their clients.<br /><br />Shep Gordon is one of those people.<br /><br />If you ask most young artists today, they don't think such managers exist, because the media highlights controversial, leechy, over-the-top, bad apple managers..<br /> <br />I think presenting that picture leads to young artists settling for really bad managers, because they don't know good ones are out there. <br /><br />Today's young artists don't have liner notes where they can learn the names of these people. And the trade media have taken on a tabloid tone rather than being the helpful, reliable resources they once were.<br /><br />So, artists, if you're fortunate enough to have a good manager and a young artist asks you for advice, tell them what makes a good manager, and explain why yours meets that criteria.<br /><br />Meanwhile, support media stories about good mangers by going to see <i>Supermensch</i>.<br /><br />RR<br /><br />P.S. I often hear people refer to crew members or people who work behind the scenes in a derogatory way that implies people on the crew do it because they want to be famous. (Then they proceed to follow every crew member they can find on Twitter.) </span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">My colleagues are highly skilled, creative people who think fast on their feet. Some of their jobs, such as hanging sound and lights and the rigging that supports them, are extremely dangerous. In recent years other <a href="http://en.wikipedia.org/wiki/Dimebag_Darrell" target="_blank">crew members have literally died trying to protect their artists</a>. <br /><br />The vast
majority of crew and people who work behind the scenes love what they do and have no desire to be famous. Seeing fame
up close usually puts an end to any desire for it, if it was ever there. <br /><br />Speaking for myself, fame looks like a colossal pain in the ass, and I wouldn't be good at it. (I blog and Tweet to help musicians, and for my Klout score. People who hire you for certain jobs check it.) <br /><br />Besides, if crew members wanted to be famous, wouldn't they just use their connections to facilitate it? (Many crew members are extremely talented musicians.)</span><br /> <br /> </span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">Follow Me on Twitter <a href="http://twitter.com/musicbizadvice" target="_blank">@ MusicBizAdvice </a>.<br /><br /><br /><span style="font-size: x-small;"><i><br />FTC Disclosure: No current financial relationship to the film, Shep Gordon, or Mike Meyers. Worked for Mike Meyers' agent as well as with agents of several of Shep Gordon clients, and a promoter of Alice Cooper shows and shows by other Shep Gordon clients.<br /><br /> </i></span><br /><br /> <br /><br /> <br /><br /> </span><br />
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<br />RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-40912786609995708912014-07-01T22:09:00.000-07:002014-07-05T08:39:32.493-07:00The Current State of the Music Biz (Especially the Live Touring Industry) <span style="font-family: "Trebuchet MS",sans-serif;">In case you missed it, music business analyst / writer Bob Lefsetz sent out and posted this to his website:<br /><br /><a href="http://lefsetz.com/wordpress/index.php/archives/2014/07/01/tiers/" target="_blank">http://lefsetz.com/wordpress/index.php/archives/2014/07/01/tiers/</a><br /><br />I'm posting it here because if you're embarking on a music industry career, you need to see it. And it's far more comprehensive than I currently have the time to write. Bob's done it for you.</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">It's going to piss some people off, but his analysis is accurate. There are a couple of artists I might add to the mix, but that's quibbling.</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">I don't always agree with Bob Lefsetz, but this post is dead on. Even when we don't agree, I love that he tells it like it is and doesn't sugarcoat. <br /><br />Artists tend to like to have a soft place to fall, so many of them have difficulty hearing the truth. Or sometimes they'll listen, but they want the information you're giving them to be heavily sugarcoated.</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">This is a tough business. Sugarcoating will kill you. <br /><br />An eternal optimist myself, as a young artist I had to learn this early on, the hard way. I saw many people fall because people were afraid to tell them the truth. <br /><br />Sugarcoating leads to things like pushing away people who care
about you in favor of leeches who cajole you into investing in their projects and drain your
money--or perhaps encourage you to donate to their favorite cult--while telling you everything's OK. They get away with this by seeming to protect you by only telling you exactly what you want to hear. (If you're an addict, they'll even keep you high while doing so.) <br /><br />The person who can listen to information with no sugarcoating always has the upper hand, because they're hard to manipulate.<br /><br />If you're the type of person who needs to have everything sugarcoated to get through life, start with your business stuff. Force yourself to read the realities of your business so you know what's going on. <br /><br />You stand a much better chance of winning when you know what you're up against. <br /><br />I want you to win. Bob Lefsetz wants you to win.<br /><br />Start now, by learning about your business.<br /><br />RR</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">Follow me on Twitter @<a href="https://twitter.com/musicbizadvice" target="_blank">MusicBizAdvice</a>.</span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">More Music Biz Advice: <a href="http://www.musicbizadvice.com/" target="_blank">http://www.musicbizadvice.com</a></span><br />
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<br />RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-34256456266208194832014-06-30T22:19:00.000-07:002014-07-05T08:43:13.529-07:00I’m in Chris Brogan’s Business Blog Talking About Female Freaks, And Ten Ways You Can Apply It To Your Own Career<!--[if gte mso 9]><xml>
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<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">Yep,
I thought that title would get your attention. It'll make sense in a sec.</span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">This morning I woke up to discover something I wrote is featured in <a href="http://www.chrisbrogan.com/in-celebration-of-female-freaks/" target="_blank"><span style="color: blue;">Chris Brogan’s June 26 business blog
post</span></a>. <a href="http://www.chrisbrogan.com/about/" target="_blank"><span style="color: blue;">Chris Brogan</span></a> happens to be the author of one of
my favorite business books for creatives, <i>The Freaks Shall Inherit the
Earth: Entrepreneurship for Weirdos, Misfits, and World Dominators. <br />
<br />
</i>I’m incredibly honored, humbled, and-I-don't-know-what -ed. Wow...And holy
crap!<br />
<br />
For perspective, Chris Brogan is a respected business consultant<i> and New
York Times</i> best-selling author. He’s been <a href="http://www.forbes.com/search/?q=Chris+Brogan" target="_blank"><span style="color: blue;">interviewed for <i>Forbes</i></span></a> multiple times,
he's written for many business publications such as <i><a href="http://www.success.com/article/the-monchu-method-of-networking" target="_blank"><span style="color: blue;">Success</span></a>, </i>and he gives
speeches about business stuff a lot of creative people don't like to think
about. He's also consulted for Disney, among others. His latest book, <i>The
Freaks Shall Inherit the Earth,</i> has endorsement blurbs from Seth Godin,
Anthony Robbins, Amanda Palmer, and Steven Pressfield, who was on the Oprah
Winfrey Network last week. (Which reminds me...Chris has also been on <i>Dr.
Phil</i>.)</span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><i><span style="font-family: "Trebuchet MS","sans-serif";">"Freaks,"
</span></i><span style="font-family: "Trebuchet MS","sans-serif";">in
Chris Brogan’s terms, are people who do things differently. <i>Freaks</i> are
creative people who don’t fit into the usual corporate structure. <i>Freaks</i>
stand out and are misunderstood by corporate types. Or, <i>Freaks</i> may look
average, but they don’t fit into their particular industry’s neat little boxes.
<br />
<br />
As someone who was once told, “You think too much like a musician” by someone
who represented musicians and then half an hour later was told, "You think
too much like a Suit" by someone from the same company, I could relate.
So, recently, after hearing Chris speak, I bought a copy of <i>The Freaks Shall
Inherit the Earth.</i></span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">As
I was reading it I thought, “This is a fantastic book!” I liked <a href="http://www.success.com/article/the-monchu-method-of-networking" target="_blank"><span style="color: blue;">Chris’s concept of monchu</span></a>
and his matter-of-fact advice. His step-by-step plans for people who didn't
know where to begin were dead on. The more I read, the more I couldn’t wait to
share it with you...</span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">…until
page 171, which included this sentence:</span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">“I
would love to see the first amazing female freak being her own weird self at a
huge corporation in my lifetime.”</span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">Huh???</span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">I
stopped reading, grabbed the green pen I’d been been using for underlining, and
began scribbling names in the margin of the book. In less than five minutes I
had a list of successful female <i>Freak</i><i>s</i> spanning not only Chris Brogan’s
lifetime, but his mom’s lifetime, and his grandmother’s lifetime:</span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-9mqyyzsp2CI/U7JBAOUEmSI/AAAAAAAAAX0/NhgTJ-cVffc/s1600/Roated+Brogan+Book+blue+background.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://2.bp.blogspot.com/-9mqyyzsp2CI/U7JBAOUEmSI/AAAAAAAAAX0/NhgTJ-cVffc/s1600/Roated+Brogan+Book+blue+background.jpg" height="640" width="476" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(Photo: Randi Reed / <i>MusicBizAdvice Blog</i>)</td></tr>
</tbody></table>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";"></span></span><span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";"></span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">I should add, the
subject of "women in business" isn't something I'm comfortable talking
about. While it’s true I’ve been one of “the first” or "only" several
times in my career and have interesting stories about that, the idea of making
a big deal out of being a woman in business baffles me. I’d rather be treated
equally at work than singled out or “celebrated” for my chromosomes. After all,
the guys don't refer to themselves as "male musicians" or "Men
in Entertainment". </span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">Exclusion
is another matter, though. Just who the heck was this Chris Brogan character,
anyway? Was he a sexist idiot? Or was he a fellow human being who, nearing the
end of his book, maybe suffered writer’s fatigue and had a brainfart his editor
happened to miss? </span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">I
decided to find out. So, I emailed Chris, giving him the benefit of the doubt.
I also included the list of women I’d written in the margin of his book, with a
couple of sentences about what made each one a “<i>Freak</i>” according to his
terms of <i>Freak</i>iness in the book.</span><span style="font-family: "Times New Roman","serif";">
</span><span style="font-family: "Trebuchet MS","sans-serif";">Meanwhile,
I wondered how or if I could still recommend Chris's book. Damn that page
171!!!</span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">I
fully expected no response, or perhaps a defensive one. A book is an author’s
baby, after all, and who the heck was I to tell a best-selling business author
what he’d omitted?</span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">Chris
couldn’t have been nicer about it. He emailed back with a friendly reply,
and as it turns out, he liked my list. We had a nice email exchange, and I’d be
pleased to have Chris as part of my monchu any day. </span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">Expecting
that to be all, this morning I was pleasantly surprised to hear about <a href="http://www.chrisbrogan.com/in-celebration-of-female-freaks/" target="_blank"><span style="color: blue;">this post</span></a>: <br />
<br />
Chris Brogan printed my list, word for word, giving me full credit. Then he
went the extra mile by linking to my bio. (Thank you, Chris. That was really
cool of you!)</span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12pt;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">So,
fellow <i>Freaks</i>, what can you take away from this?</span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">1.
Be nice, but stand up for yourself.<br />
2. State your case in a way that cuts the other person some slack.<br />
3. Wait and re-read that email, Tweet, or Facebook post instead of just firing
it off.<br />
4. Be open to what the other person has to say in response.</span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">5.
Look for common ground. (Chris Brogan and I have the same "would like to
meet" business mentor: Sir Richard Branson.)</span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">6.
Let go of the outcome. </span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">7.
When someone shares something with you, be generous in giving them credit, as
Chris did.</span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">8.
Go the extra mile: give a little more than might be expected.</span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">9.
When someone acknowledges you or something you've done, be appreciative and grateful, and use
that to open the next door--even if you're a little uncomfortable promoting
yourself.You've gotta eat, so work it.</span><span style="font-family: "Times New Roman","serif";"></span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";"> …and
lastly…</span></span></div>
<span style="font-size: small;">
</span><br />
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS","sans-serif";">10.
<a href="http://www.amazon.com/Freaks-Shall-Inherit-Earth-Entrepreneurship/dp/1118800559/ref=sr_1_1?ie=UTF8&qid=1404183042&sr=8-1&keywords=Chris+Brogan" target="_blank"><span style="color: blue;">Read Chris’s book</span></a>!!!
There’s great stuff in there. (No, this link isn't an affiliate
link. Timing, people, timing.)<br /><br /><br /><br />Follow me on Twitter <a href="http://twitter.com/musicbizadvice" target="_blank">@MusicBizAdvice</a> .</span></span></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
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<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
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<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
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RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-80510099370437783962014-06-23T03:11:00.003-07:002014-07-05T08:45:29.135-07:00Fake Reality? ABC Rising Star Talent Competition's "Surprise" Instagram Contestant Macy Kate Came to the Show Already Repped By a Major Talent Agency and Worked with Ludacris Producers<span style="font-family: "Trebuchet MS",sans-serif;">So, tonight I watched the premiere of ABC's new talent show, <i>Rising Star</i>... <br /><br />And I'm crying "Foul!!!"<br /><br />So foul, in fact, that I'm writing this post directly into Blogger instead of writing a draft first like I usually do. <br /><br />Did the producers think no one would notice that the "surprise" Instagram contestant from the audience (Macy Kate) looked considerably more polished and put together for TV than the other audience members? <br /><br />That was the first thing I noticed: unlike the audience members around her, Macy Kate had obviously been brushed and currycombed like a prized show pony.<br /><br />"I wonder if she's insurance in case the amateur contestants fall apart..." I thought to myself. <br /><br />Then later in the show, we're shown her obviously expensive, pro-shot music video "Instagram Audition" entry that supposedly "won" her a place on the show. Even host Josh Groban commented on the obvious professionalism of it. Hmmm...<br /><br />"I guess she could have Kickstartered it," I said aloud to my sis, trying to find some benefit of doubt left for the 16-year old contestant. (Ragging on an adult is one thing. This is a teenager, after all.) <br /><br />Still, it looked a little pricey for a Kickstarter video. Maybe her parents were off the charts wealthy? Or maybe she used to be signed to a label that dropped a bunch of artists in a merger? She did look kind of familiar, and dropped artists appear on talent competitions all the time. (Rules usually state that you can't be "currently" repped).<br /><br />Or, maybe she's actually a current client of Paradigm Talent Agency, a major talent agency in Beverly Hills. <br /><br />If you're not familiar with Paradigm, while they're less-talked about than they once were thanks to mergers that turned William
Morris into the now-behemoth WME, Paradigm is still big, and their huge roster boasts some current hotshots, as well as legends. (Ed Sheeran, Toby Keith, Solange, The
Lumineers, Stevie Nicks, and Aerosmith all come to mind.)<br /><br />Paradigm also has on its <a href="http://www.paradigmagency.com/divisions/music/clientroster/?office=ALL" target="_blank">roster</a> at least one <i>American Idol</i> alum: Taylor Hicks. As it happens, <i>Rising Star</i> Executive Producer <a href="http://www.imdb.com/name/nm0913252/" target="_blank">Ken Warwick</a> also executive produces <i>Idol</i>. </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br />Did the show not stop to think that while we have our devices in our hands ready to vote with the Rising Star app, we're also Googling the contestants--especially the ones we suspect are seasoned pros?<br /><br />Did the show not realize that before we'd even finished wondering aloud about the pro-shot video, we already knew Macy Kate is on the Paradigm roster, repped by a fairly well-known booking agent, <a href="http://macykatemusic.com/?page_id=11" target="_blank">has recorded with Sean Kingston, has a You Tube partnership with Sony/ATV, and has endorsements for Uber, Samsung, Jewel Mint, and others? </a></span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;"> (While we're at it, is she 16 or 17? <i>Rising Star</i> and Macy Kate's talent agency can't quite seem to agree.)<br /><br />And wait a minute...What's this?<br /><br /> According to her <a href="http://www.paradigmagency.com/divisions/artist/index/2429" target="_blank">agency website</a> Macy Kate "is currently working with" <a href="http://en.wikipedia.org/wiki/Rock_City_%28group%29" target="_blank">Rock City</a>, the songwriting /production duo, who's worked with a host former Idol winners, and major artists...<br /><br />...including--ta da--<i>Rising Star</i> judge Ludacris.<br /><br />Wow. Just wow. <br /><br />At least judge Brad Paisley said he and contestant Sarah Darling have mutual friends... </span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">That, I'd actually expect and would be OK with: <a href="http://en.wikipedia.org/wiki/Sarah_Darling" target="_blank">Sarah Darling</a>'s been kicking around Nashville since moving there straight out of high school. She's now 31 and was signed to a label at one point but got dropped. Nashville's a pretty tight clique, but if you've been around long enough and have been working your butt off all that time, you're probably going to be just a couple of degrees of separation from most people in the industry there. If you do it right, that's how the business works.</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">So, that didn't bother me enough to Google. <br /><br />Besides, by then, there was already enough to make me question the validity of this "reality" competition that I didn't need to. A currently repped contestant was more than enough for me to cry foul. <br /><br />Anybody got a copy of the rules for this thing?</span>
<span style="font-family: "Trebuchet MS",sans-serif;"><br /><br />And is it just me, or are "reality" shows starting to get really sloppy about details?</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">Edited to Add: I Googled Sarah Darling, and she had a single that went to #34 on the <i>Billboard</i> Hot Country Songs chart two years ago. She's also a regular performer at the Grand Ole Opry.<br /><br />P.S. Macy Kate is a apparently a veteran of other shows on the "Reality" Competition Show circuit. None of this is her fault, by the way. She's very talented. But whomever's advising her seems to have a lack of foresight and creativity. If they're trying to work a publicity angle, it's the wrong one. She's a teenager, people. [Shaking My Head...]<br /><br /><br />Follow me on Twitter <a href="http://twitter.com/musicbizadvice" target="_blank">@MusicBizAdvice</a> .</span><br />
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<br />RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-48037702360274567282014-05-31T23:11:00.000-07:002014-05-31T23:11:29.659-07:00MusicBizAdvice.com To Accept Bitcoin As Payment For Services (And Becomes One of the First Music Business Consultancy Firms To Accept Bitcoin)<!--[if gte mso 9]><xml>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 10.0pt; line-height: 107%;">Los Angeles, CA 5/31/14</span></i></b><i style="mso-bidi-font-style: normal;"><span style="font-size: 10.0pt; line-height: 107%;">— </span></i><a href="http://musicbizadvice.com/about/"><span style="font-size: 10.0pt; line-height: 107%;">MusicBizAdvice.com</span></a><span style="font-size: 10.0pt; line-height: 107%;"> will accept Bitcoin virtual currency
as payment for its music consultancy services starting in June, MusicAdvice.com
Founder Randi Reed announced on the </span><a href="http://www.musicbizadvice.blogspot.com/2014/05/musicbizadvice-announcement-just-for.html"><i style="mso-bidi-font-style: normal;"><span style="font-size: 10.0pt; line-height: 107%;">MusicBizAdvice Blog</span></i></a><i style="mso-bidi-font-style: normal;"><span style="font-size: 10.0pt; line-height: 107%;"> </span></i><span style="font-size: 10.0pt; line-height: 107%;">on Friday.</span></div>
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<span style="font-size: 10.0pt; line-height: 107%;">The move
places MusicBizAdvice.com in position to be one of the first, if not the first,
music business consultancy firms to accept Bitcoin virtual currency, as well as
one of the first music business service providers to accept it. </span></div>
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<span style="font-size: 10.0pt; line-height: 107%;">It also happens
just as many independent artists on the road at the height of concert season
discover the hazards of attempting to manage themselves, or realize the cousin
they hired to be their tour manager doesn’t know what he’s doing after all.</span></div>
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<span style="font-size: 10.0pt; line-height: 107%;"> <span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-size: 10.0pt; line-height: 107%;">Says Reed, “Creative
people need a variety of solutions. Bitcoin is a great option for Indie
Musicians who don’t have a lot of immediate cash flow but need urgent advice
about how to market their music or manage their band when something goes wrong
on the road. A lot of them have Bitcoin they bought a couple of tours ago but never
used because the services they needed didn’t accept it. By giving artists the choice
of using Bitcoin, MusicBizAdvice.com helps them bridge that gap, which frees up
more of their traditional cash for other things they need.”</span></div>
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<span style="font-size: 10.0pt; line-height: 107%;">Bitcoin will
not replace other forms of payment MusicBizAdvice.com accepts, says Reed.
“Bitcoin is one more avenue to make it easier for artists. We’re all about creative
solutions, like the consultations I do through Clarity.fm (which does pro-rated
per-minute billing for telephone consultations). You have to make it easy for clients
in a variety of situations.”<span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-size: 10.0pt; line-height: 107%;">Why haven’t
more businesses embraced Bitcoin?<span style="mso-spacerun: yes;"> </span>“They’re
nervous about the fluctuation in value. But we don’t see it that way. As an
ex-musician, it’s very important to me to make things easy for musicians, not
harder.” </span></div>
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<span style="font-size: 10.0pt; line-height: 107%;">MusicBizAdvice.com
will use Coinbase, which converts Bitcoin into U.S. dollars, for processing its
Bitcoin payments. On Friday, DirecTV also announced it will accept payment from
its customers via Coinbase. </span></div>
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<span style="font-size: 10.0pt; line-height: 107%;">###</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 10.0pt; line-height: 107%;">About </span></b><span style="font-size: 10.0pt; line-height: 107%;"><a href="http://musicbizadvice.com/about/"><b style="mso-bidi-font-weight: normal;">MusicBizAdvice.com</b></a><b style="mso-bidi-font-weight: normal;">:</b> <span style="color: black;">MusicBizAdvice.com
is a resource for indie musicians, songwriters, self-managed bands, and new managers
and tour managers. Established in 1997, MusicBizAdvice.com has resources
including a free website and online magazine by music industry professionals
experienced in booking, artist management, and concert promotion at the
Platinum level, as well as offline short-term consulting services.</span></span></div>
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<span style="font-size: 10.0pt; line-height: 107%;"><span style="color: black;">The <i style="mso-bidi-font-style: normal;">MusicBizAdvice.com</i> website launched
at its current URL in 2003 and has been utilized by Volunteer Lawyers of the
Arts, Song U, and <i style="mso-bidi-font-style: normal;">E! News.</i> It’s also
been featured on the <i style="mso-bidi-font-style: normal;">News</i> page of Bon
Jovi’s official website, and its <i style="mso-bidi-font-style: normal;">This<span style="mso-bidi-font-style: italic;"> Month in Music History</span></i> was displayed
at the entrance to the Hard Rock Cafe Surfers Paradise. </span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 10.0pt; line-height: 107%;">About </span></b><a href="http://www.randireed.com/"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 10.0pt; line-height: 107%;">Randi Reed</span></b></a><b style="mso-bidi-font-weight: normal;"><span style="font-size: 10.0pt; line-height: 107%;">:</span></b><span style="font-size: 10.0pt; line-height: 107%;"> Randi Reed is
an independent music business consultant who has worked in artist management,
booking, and concert promotion from the local to Platinum level. She developed
MusicBizAdvice.com in 1997 while battling a chronic autoimmune disease, CFIDS
(sometimes known as CFS).</span><b style="mso-bidi-font-weight: normal;"><span style="font-size: 10.0pt; line-height: 107%;"><br /></span></b></div>
RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-28325552293752985642014-05-30T14:35:00.003-07:002014-06-24T21:13:02.783-07:00MusicBizAdvice Announcement Just For Loyal Readers Before the "Official" Announcement<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Pssst...Hey, you! </span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Yeah, you!</span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Because you're loyal readers of this blog and MusicBizAdvice.com, I'm telling you something no one else knows yet. I'm telling you even before the "official" announcement goes out:</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Starting in June, MusicBizAdvice.com will accept Bitcoin virtual currency for our consultation services. </span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Actually, me personally, because I'm the one insisting on adding this form of payment. That's only fair, right?</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">It's something we've been wanting to do since 2010, but the market wasn't ready. So, we had to put it on the back burner until I felt enough merchants were on board to make it worthwhile. </span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">DirecTV's announcement this week that they're accepting Bitcoin through Coinbase is exactly what was needed, because Coinbase is our chosen Bitcoin payment processor, too.</span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"> </span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Details to follow soon.<br /><br /> </span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Risky from our end? Yes. But accepting Bitcoin for consultations is just one of many ways
MusicBizAdvice.com is making it easier for bands to manage themselves, and for managers who are new to the industry to get better at it. Bringing good, client-centric managers into the industry is very important, because, who needs a stinkin' bad manager who doesn't care about their clients?</span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"></span></span>
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Meanwhile, here's a tip you can use now, regardless of where you are in the industry (or even regardless of your profession):</span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">If something that looks cool and potentially helpful but the rest of the world hasn't caught on yet, take some actions toward implementing it anyway. Research it, do what you can without incurring much expense, if any, and keep it on the back burner. And <i>tell no one</i>.</span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">If and when conditions are right, you'll be ready to act. If it never pans out, you're not out any money, and you've probably learned a lot.</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Meanwhile, if you're about to head out on tour, rock on. :-)</span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-family: "Trebuchet MS",sans-serif;">RR</span></span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /><span style="font-family: "Trebuchet MS", sans-serif;">Follow me on Twitter @MusicBizAdvice .</span></span></span>
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<br />RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-15293764637887587832014-03-21T23:52:00.000-07:002014-03-22T00:31:55.203-07:00What to Do When Life Hands You Lemons, and Why I Posted My Bio On This Blog Last Night<span style="font-family: "Trebuchet MS",sans-serif;">Longtime readers may be wondering why the heck I randomly posted <a href="http://musicbizadvice.blogspot.com/2014/03/randi-reed-bio.html" target="_blank">my bio</a> on this blog yesterday, because that's not usually done.</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">It's not even something I'd recommend you do. There are better places for that, right?</span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">In short, blame the Richie Sambora supporter who's been stalking* me and hacked the website that hosts my bio because they're still pissed off about <a href="http://musicbizadvice.blogspot.com/2013/08/30-years-gone-real-story-of-richie.html" target="_blank">this post</a> from way back in August 2013. (There's a post coming about this, but I've been slammed with work and haven't quite finished it.)</span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">A member of the media wanted to see my bio, so it had to be visible somewhere. I chose this blog. </span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">The irony is, I get most of my work through personal referrals and don't do many interviews because I believe people who work behind the scenes should keep the focus on the clients, so my bio's had more action today than it's probably had in six months.</span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">When life hands you lemons, I highly recommend making a lemon tart and piling on the meringue. It's tasty stuff!</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">(If it's limes, make a margarita!. Confused? See <a href="http://musicbizadvice.blogspot.com/2014/03/my-margaret-sames-recipe-featured-in.html" target="_blank">this</a> post.)</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;">*Yes, stalking. This person's actions have crossed over the line into the legal definition of stalking under California anti-stalking law. That's punishable up to five years in prison. If the person who did it impersonated me in any way to accomplish this, which they most likely had to do, that's identity theft, which is a Federal crime. </span></span><br />
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<br />RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-25569836067274195902014-03-21T23:40:00.001-07:002014-07-30T12:23:22.675-07:00My Margaret Sames Recipe Featured in "Best Margarita Recipe Ever!" in Latin Times Today, and an Example of How the Media Gets Things Wrong<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">An early version of MusicBizAdvice.com, had a recipe section (in our Lifestyle department) called <i>The Starving Musician</i>. It was popular but a pain to do every month, because I personally wrote out and tested each recipe in a kitchen space the size of a tour bus kitchen, to be sure each recipe worked. </span></span><br />
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">In 2004, we posted my ""Margarita Sames' Original December 1948 Margarita" recipe. Being a fan of pop culture history and a collector of vintage recipes, I did some research on the history of the Margarita and included my findings in the intro to the recipe.</span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"></span></span>
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Today, <i><a href="http://www.latintimes.com/best-margarita-recipe-ever-7-cocktails-you-must-make-year-160553" target="_blank">Latin Times</a></i> posted that recipe, crediting me. That's very kind of them, and I thank them for thinking of the recipe when compiling their "Best Ever Margaritas!" article.</span></span><br />
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">However, something was lost in translation. The photo caption in the article says I "claimed to have met Margaret Sames" in the 1990's. That is incorrect. I have never claimed to have had the pleasure of meeting Margaret "Margarita" Sames, and <i>Latin Times</i> never contacted me to fact-check the article or ask for permission to print my version of the Sames recipe--which is my copyrighted material.</span></span><br />
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">When I saw the error, I immediately tweeted the <i>Latin Times</i> writer, Susmita Baral who wrote the <i>Best Ever Margaritas!</i> article, to ask for a retraction or correction.(Her email address is not on the<i> Latin Times</i> website, or I would have asked privately.) [Update 7/30/14: Ms. Baral never responded and removed my recipe.]</span></span><br />
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">What I actually wrote in the recipe article in <i>The Starving Musician</i> section on MusicBizAdvice.com in 2004 was, "This recipe is from the notes I took when Margarita Sames was on a TV talk show in the early 1990's."</span></span><br />
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">I was at home sick and saw her on TV!!! (She may have been on something called <i>The Home Show</i>, but don't quote me on that.) I was not at the taping, and never claimed to be.</span></span><br />
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">MusicBizAdvice.com changed web hosts and servers long ago, and we removed that section for a possible return at some point, so the article is no longer on our servers. I do, however, have a text-only print out of that<i> Starving Musician</i> article sitting in front of me, which I've scanned it for you below. (I'd printed it out for my recipe box during data recovery after a computer crash, so you'll see a date of 2010 at the bottom.)</span></span><br />
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">That, my friends, is how stuff gets twisted in the media, however accidentally.</span></span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">P.S. I've tried a variety of tequillas in this recipe. My preference is 2 jiggers of Cazadores Reposado, and very little or to salt on the glass. (Need glasses? Margarita glasses didn't exist in 1948, so if you're setting up a bar with a vintage vibe, champagne coupes are the way to go. They're also versatile, so they save space.)<br /><br /></span><br />
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<br />RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-43840641619216236292014-03-20T22:43:00.000-07:002014-03-20T22:43:21.602-07:00Randi Reed Bio<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><br />
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<span style="font-family: "Times New Roman","serif"; font-size: 10.5pt; mso-fareast-font-family: "Times New Roman";"><b><span style="font-size: large;">Randi Reed </span> <br />
<i><span style="font-size: small;">Founder/ Editor in Chief, <a href="http://www.musicbizadvice.com/" target="_blank"><span style="color: blue;">MusicBizAdvice.com</span></a><br />
Music Business Consultant, Internet Publisher, Writer, Speaker </span></i><br />
<span style="font-size: small;"><br />
Randi Reed is a music business consultant who specializes in live music industry troubleshooting. But that’s only half the story. “Trouble <i>shoo</i>ing would be a better description. My job is to find the problem, resolve it, and teach clients how to avoid more problems in the future. I want musicians to win.” <br />
<br />
Randi Reed also has a flair for making lemonade out of lemons. Case in point: in early 1997, in the midst of a platinum level career in booking, artist management, and concert promotion, she was sidelined by the autoimmune disease CFIDS. Battling vertigo, dizziness, and cognitive issues, but still undaunted, Reed started an online resource for unsigned and independent musicians--while confined to bed. "I'm really stubborn," says Reed. "I just refused to allow the disease to keep telling me no." A few name and format changes later as she recovered, that online resource evolved into <a href="http://www.musicbizadvice.com/" target="_blank"><span style="color: blue;">MusicBizAdvice.com</span></a>, an online magazine in web publication since 2003. <br />
<br />
Born in the Midwest and transplanted to California's Coachella Valley in her early teens, Randi Reed began her music career at 16 as a singer and songwriter in a local band. “My singing career was short-lived, but it definitely affected the way I work with musicians,“ says Reed. “I was passionate about music, but I had constant throat problems and didn’t love singing enough to be miserable. By then I was co-managing our band and enjoyed the behind-the-scenes aspects, so I decided to go into management. My parents probably thought I’d be a novelist, or maybe write for <i>Rolling Stone</i>." (Reed is a former college journalism award winner.) <br />
<br />
Advised early on by a prominent talent manager to learn as much about as many different facets of the music industry as possible, Reed set about learning the business “from all sides of the contract—everything from working at a music store, to working for a symphony during the day while working with local metal bands at night, to writing another artist’s fan club materials.” Meanwhile, she immersed herself in the local music scenes in Southern California and Arizona. <br />
<br />
Her national-level break came in the form of an internship with illustrious concert promoter Danny Zelisko. It would prove pivotal in every sense of the word: half a decade and a move to Los Angeles later, in an odd twist of fate Reed would work for a <i>Pollstar</i> Concert Industry Award winning talent agency--for an agent responsible for the booking territory covering Zelisko’s venues. “Both sides of the contract, totally unplanned," says Reed, who had originally applied for another position within the agency. “I couldn’t have asked for better experience in major concerts.” Meanwhile, she continued to work on a variety of music industry projects, including a stint assisting a <i>Billboard</i> Top 10 pop metal artist she declines to name. “That it was brief was a blessing,“ says Reed. “Had the Internet and social media culture existed as we know it today, I would have known they'd been through six management companies in three years, and who knows how many agents. No one was talking because of confidentiality agreements, so I only had half the story going in. Let's just say it was a great learning experience!" <br />
<br />
Fast forward to 2014, and management performance audits and music industry background checks are some of the services Reed offers in her role as a music business consultant. But whether checking out that new manager a band is thinking of hiring, or helping indie musicians sort out issues that can arise from trying to road manage themselves on tour, or showing artists ways of improving their live performances, or even advising a non-profit about planning a benefit concert, one constant remains: for Randi Reed, it’s all about live music. <br />
<br />
But does she miss singing? "Absolutely not! But I'm grateful it taught me what it takes to go onstage, and what it feels like when the show's going really well, or how part of you just wants to die when your voice gives out in front of a crowd. That's why I'm so passionate about helping musicians succeed." </span></b></span><span style="font-size: small;"><span style="font-family: "Times New Roman","serif";"></span></span></div>
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UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/> <w:LsdException Locked="false" Priority="33" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Book Title"/> <w:LsdException Locked="false" Priority="37" Name="Bibliography"/> <w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Table Normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-qformat:yes;
mso-style-parent:"";
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin-top:0in;
mso-para-margin-right:0in;
mso-para-margin-bottom:10.0pt;
mso-para-margin-left:0in;
line-height:115%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:"Calibri","sans-serif";
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;}
</style> <![endif]--><span style="font-family: Times,"Times New Roman",serif;"><u><span style="font-size: small;"><b><span style="line-height: 115%;">Artists Worked With:</span></b></span></u></span><br />
<br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: small;"><b>Concerts produced by companies Randi Reed has worked with are mentioned in several books about rock and roll, including <i>The Dirt</i> by Mötley Crüe, <i>Walk This Way: The Authorized Biography of Aerosmith</i>, <i>Planet Rock</i> by Lonn Friend, and <i>The Heroin Diaries</i> by Nikki Sixx. </b><br />
<br />
<b>Clients of firms Randi Reed has worked with, concerts produced by firms she's worked with, and artists she's worked with in a variety of capacities include:</b></span></span></div>
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<br /></div>
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<b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";">38 Special<br />
Aerosmith<br />
After 7<br />
Air Supply<br />
Al B. Sure<br />
Alan Thicke<br />
Alice Cooper<br />
Alice in Chains<br />
Allman Brothers Band<br />
Anne Murray<br />
Another Bad Creation</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><b><br />
Anthrax</b><br />
<b>Arcade</b></span><b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><br />
Arsenio Hall<br />
Bad Religion</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><b><br />
Barbara Streisand</b><br />
<b>Barry Manilow</b></span><b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><br />
Beach Boys</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><b><br />
Bell Biv De Voe<br />
Ben Folds</b><b>Ben Harper</b></span><b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><br />
Big Daddy Kane<br />
Blind Melon<br />
Bob Saget<br />
Bob Seger<br />
Bobby Brown<br />
Bobby Collins<br />
Bobby’s World<br />
Bobcat Goldthwait<br />
Bon Jovi<br />
Boyz II Men<br />
Brandy<br />
Brett Butler<br />
Brian Setzer Orchestra<br />
Bruce Springsteen<br />
Bryan Adams<br />
Buffalo Tom<br />
Bugs Bunny on Broadway<br />
Butthole Surfers<br />
Candlebox<br />
Carrot Top<br />
Catherine Wheel<br />
CCR<br />
Celine Dion<br />
Charlatans U.K.<br />
Cheap Trick<br />
Cher<br />
Cheryl Crow<br />
Chris Rock<br />
Cinderella<br />
Circle Jerks<br />
Clawhammer<br />
Collective Soul<br />
Coolio<br />
Corrosion of Conformity<br />
Creedence Clearwater Revisited<br />
Crowbar<br />
Cry of Love<br />
Dana Carvey<br />
Dance Hall Crashers<br />
Dave Collier<br />
David Lee Roth<br />
David Spade<br />
Dean Martin<br />
Dennis Miller<br />
Diana Ross<br />
Dinosaur Jr<br />
Dokken<br />
Dolly Parton<br />
Don Rickles<br />
Dr. Dre<br />
Echobelly<br />
Ed O’Neill<br />
Eddie Money<br />
Edwin McCain<br />
Elayne Boosler<br />
Ellen Cleghorne<br />
Ellen DeGeneres<br />
EMF<br />
Erasure<br />
Everly Brothers<br />
Extreme<br />
Failure<br />
Faith Evans<br />
Faith No More<br />
Fight (Rob Halford)<br />
Flaming Lips<br />
Flotsam and Jetsam<br />
Foghat<br />
Four Tops<br />
Frank Sinatra<br />
Frankie Valli & The Four Seasons<br />
Freddie Jackson<br />
Fuzzy<br />
G. Love & Special Sauce<br />
Gallon Drunk<br />
Gary Moore<br />
Gene Kelly<br />
George Benson<br />
George Carlin<br />
George Wallace<br />
Giant Sand<br />
Gigolo Aunts<br />
Gin Blossoms<br />
Gipsy Kings<br />
Glenn Frey<br />
Gods Child<br />
Goo Goo Dolls<br />
Grateful Dead<br />
Gregg Allman Band<br />
Hammer<br />
Hazel<br />
Heart<br />
Heavy D. & The Boyz<br />
Helium<br />
Helmet<br />
Horace Brown<br />
H.O.R.D.E.<br />
H.O.R.D.E. Festival<br />
House of Love<br />
Howie Mandel<br />
Imperial Drag<br />
INXS<br />
Iron Maiden<br />
Isley Brothers<br />
Jamie Walters<br />
Jars of Clay<br />
Jay Leno<br />
Jean-Luc Ponty<br />
Jewel<br />
Jill Sobule<br />
Jodeci<br />
Joe Walsh<br />
John Pinette<br />
Juliana Hatfield<br />
Julio Iglesias<br />
Kate Clinton<br />
Keith Sweat<br />
Kenny Rogers<br />
Kings X<br />
KISS<br />
KORN<br />
Kris Kristofferson<br />
Laundromat<br />
Lemonheads<br />
Lillith Fair<br />
Liz Phair<br />
Liza Minelli<br />
LL Cool J<br />
Lollapalooza<br />
London Suede<br />
Lorrie Morgan<br />
Louie Anderson<br />
Loverboy<br />
Luke Torres<br />
Madonna<br />
Magic of MGM The Lion Roars<br />
Manhattan Transfer<br />
Manic Street Preachers<br />
Marry Me Jane<br />
Marsha Warfield<br />
Mary J Blige<br />
Meatloaf<br />
Megadeth<br />
Method Man<br />
Michael Bolton<br />
Michael Crawford<br />
Michael Feinstein<br />
Michael Nitro Band<br />
Michael Richards<br />
Michel’le<br />
Monster Magnet<br />
Moody Blues<br />
Morrissey<br />
Mötley Crüe<br />
Mudhoney<br />
Neds Atomic Dustbin<br />
Nelson<br />
New Edition<br />
Nirvana<br />
Notorious B.I.G.<br />
O.M.D.<br />
OzzFest<br />
Page/Plant<br />
Pantera<br />
Patti Lupone<br />
Paul Revere & The Raiders<br />
Pavement<br />
Pearl Jam<br />
Pennywise<br />
Peter and the Wolf<br />
Pink Floyd<br />
Possum Dixon<br />
Primus<br />
Proclaimers<br />
Prong<br />
Pulp<br />
Raffi<br />
Ray-J<br />
Red Hot Chili Peppers<br />
Redd Kross<br />
Rickie Lee Jones<br />
Rita Coolidge<br />
Rita Rudner<br />
Rob Halford<br />
Rob Schneider<br />
Robert Plant<br />
Ronnie Milsap<br />
Rush<br />
Screaming Trees<br />
Sex Pistols<br />
Shari Lewis & Lambchop<br />
Sheryl Crow<br />
Shirley MacLaine<br />
Silverchair<br />
Sinbad<br />
Six Finger Satellite<br />
Slaughter<br />
Slayer<br />
Smooth<br />
Snoop Dogg<br />
Social Distortion<br />
Sonia Dada<br />
Sonic Youth<br />
Soundgarden<br />
Southside Johnny<br />
Sponge<br />
Stanley Clarke<br />
Sting</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><b><br />
Stone Roses</b><br />
<b>Strutter</b></span><b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><br />
Suddenly Tammy!<br />
Sugar Ray<br />
Superchunk<br />
Superdrag<br />
Susan Anton<br />
Sven Gali<br />
Swervedriver<br />
SWV<br />
Take 6<br />
Tammy Wynette<br />
Teddy Pendergrass<br />
Testament<br />
The Badlees<br />
The Boredoms<br />
The Cramps<br />
The Exploited<br />
The Mommies<br />
The Muffs<br />
The Rat Pack<br />
The Who’s Tommy<br />
Third Eye Blind<br />
Three Dog Night<br />
Tina Turner<br />
Toadies<br />
Todd Rundgren<br />
Tom Poston<br />
Tommy Tune<br />
Tony Danza<br />
Turtle Island String Quartet<br />
Unwritten Law<br />
Usher<br />
Velocity Girl<br />
Vent<br />
Versus<br />
Vince Neil<br />
Warner Bros. Family Entertainment on Ice<br />
Warren Zevon<br />
Waterdog<br />
Wayne Kramer<br />
Willie Nelson<br />
Winger<br />
Wu Tang Clan<br />
Yoko Ono<br />
</span></b></div>
<br />
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<br />
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</style> <![endif]--><b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">Website:<br />
<a href="http://www.musicbizadvice.com/" target="_blank"><span style="color: blue;">http://www.MusicBizAdvice.com</span></a><br />
<br />
Mailing Address:</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br />
Randi Reed <br />
MusicBizAdvice.com<br />
2219 West Olive Avenue #136<br />
Burbank, CA 91506<br />
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<b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";">Media Contact: </span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><br />
Jinjer Hundley<br />
<a href="mailto:jhundley@musicbizadvice.com" target="_blank"><span style="color: blue;">jhundley@musicbizadvice.com</span></a> </span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--></span></div>
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</style> <![endif]--><b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">Business Inquiries:</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br />
Randi Reed, MusicBizAdvice.com Founder/ Editor in Chief <br />
<a href="mailto:rreed@musicbizadvice.com" target="_blank"><span style="color: blue;">rreed@musicbizadvice.com</span></a></span></span><br />
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><span style="color: blue;"> </span></span> <br />
<b>Randi Reed / MusicBizAdvice.com on Social Media:</b></span></div>
<ul>
<li><span style="font-size: 12.0pt;"><span style="font-family: Times,"Times New Roman",serif;"><a href="http://www.twitter.com/musicbizadvice/" target="_blank"><span style="color: blue;">Randi Reed on Twitter @MusicBizAdvice</span></a></span></span></li>
<li><span style="font-size: 12.0pt;"><span style="font-family: Times,"Times New Roman",serif;"><a href="http://www.pinterest.com/musicbizadvice/" target="_blank"><span style="color: blue;">MusicBizAdvice.com on Pinterest</span></a></span></span></li>
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RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-26412405561809617512014-02-21T16:13:00.001-08:002014-02-21T16:13:28.084-08:00Business and Life How-To: Builders and Wrecking Balls<span style="font-family: "Trebuchet MS", sans-serif;">This will serve you well in life, as well as in the music business:</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">Some people focus on building their own things up. </span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;">Others,
who are inept at building, focus on tearing the builders’ things down.</span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;">The
ability to recognize the builders from the wrecking balls will save you a lot of headaches.</span></div>
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<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;">Wrecking balls are bitter people.</span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;">Builders are too busy building to be bitter. </span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"></span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"></span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;">Karma (or law enforcement) always gets the wrecking ball in the end.</span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"></span></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;">In other words, wrecking balls only end up destroying themselves. </span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"><br />:-)</span></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;">RR </span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><br /><br />©2014 Randi Reed and MusicBizAdvice.com.</span></span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"> </span></div>
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<span style="font-family: "Trebuchet MS", sans-serif;"> </span>RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-34040495251908875232014-01-25T14:34:00.000-08:002014-07-07T10:39:24.311-07:00So, Your Kid Wants to Be a Rock Star...Plus Waylon and Willie and Distraction By Critics<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">As promised in my previous entry, I've finished <a href="http://musicbizadvice.com/advice/features/so-your-kid-wants-to-be-in-the-entertainment-industryadvice-for-parents/" target="_blank">the piece I wrote in the wake of Justin Bieber's arrest</a>. You can read it <a href="http://musicbizadvice.com/advice/features/so-your-kid-wants-to-be-in-the-entertainment-industryadvice-for-parents/" target="_blank">here</a>, or access it from the <i><a href="http://musicbizadvice.com/advice/features/feature-articles/" target="_blank">Features</a></i> page of <i><a href="http://musicbizadvice.com/">MusicBizAdvice.com</a></i>.<br /><br />It's an article I've had in mind for years, but it never came together until Bieber's arrest pushed me into finishing it. Its original title was "Mammas, Don't Let Your Babies Grow Up to Be Rock Stars," a takeoff on the song recorded by Waylon Jennings and Willie Nelson (written by Ed and Patsy Bruce). Corny title for an article, I know--that's why I killed it. It referred to an old industry joke that pops into my head whenever a rock star does something stupid.<br /><br />Readers, I have to tell you...This whole Justin Bieber thing enrages me. To say I'm so tired of seeing this happen to young celebrities doesn't even begin to cover it. That's why it took a few days for me to post the article: I needed to calm the f*ck down. (Some rewriting was in order, too: the line, "My, what a great big ego you have" probably wouldn't have gone over too well with the party it was directed toward.)<br /><br />Even if you don't have kids who want to be in the industry, I hope you'll read it. </span></span><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">There are things in it that have needed to be said for a long time, that no one is saying. It will probably piss some people off, and I'm fine with that. <br /><br />By the way...When I point you to an article, I'm directing you toward the content of it--not saying it's my best writing. This blog and the writing style of my articles on MusicBizAdvice.com are slightly cleaned-up versions of the way I actually speak when I'm talking with friends. As most people do when they speak, I use fragments and and begin sentences with "And" or "But". In writing for this blog and <i><a href="http://www.musicbizadvice.com/" target="_blank">MusicBizAdvice.com</a></i>, I come up with wild punctuation combinations to convey the rhythm of my speech. I also use the words "a lot" a lot because unfortunately, I say it a lot. ;-) (Hey, It takes a lot of work to write this "badly"!)<br /> <br />I mention this to get ahead of the critics who may try to shut off a discussion that needs to be had. Whenever I write something that pisses someone off, the response is something like "poorly-written." It's a petty way of creating a distraction--often orchestrated by someone's publicist--to change the subject and focus the attention on themselves.<br /><br /> You're too savvy to fall for that, however, so when you see something like that, just consider it an inside joke amongst ourselves and have a good laugh. My friends and I do. Years ago I used to have dreams about hitting them over the head with my well-worn copy of <i>A Grammar Book for You and I...Oops Me </i>while shouting "Page 258!" so that's progress.<br /><br />Meanwhile, <a href="https://www.youtube.com/watch?v=Dgh6fDayDTI" target="_blank">here's</a> Waylon and Willie singing "Mammas, Don't Let Your Babies Grow Up to Be Cowboys."<br /><br />I hope your year is going fab so far,</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">RR</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /><br />Follow me on Twitter <a href="https://twitter.com/musicbizadvice" target="_blank">@MusicBizAdvice</a> .</span></span></span></span>
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span></span></span>
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /><br /><br /></span></span><br />
RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-77027879438480074722014-01-24T10:45:00.002-08:002014-06-24T21:07:22.681-07:00Justin Beieber's At It Again: Another Michael Jackson? Plus, When to Worry About Pissing People Off<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><i><b>I wrote this the other day while watching coverage of Bieber's latest antics.--RR</b></i></span><br />So, Justin Bieber got arrested yesterday.<br /><br />Justin's been making a lot of bad-boy news lately. Am I surprised? No. One day he sped through my neighborhood before actually getting caught at it. I recognized his very recognizable car on the news a few days later, when he did get caught.</span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">How innocent that all seems now...Except that I knew then that we'd be here now. <br /><br />I have much to say about all this...I wrote it, but as always when I write quickly, it needs to breathe first before being posted. Stay tuned...<br /><br />It will probably piss some people off. <br /><br />"OMG!!! You're pissing people off! Are you sure you want to...???" </span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">Yes.</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;">People. It's the music industry. Pissing people off comes with the territory. If you can't handle people getting pissed off at you when you say something, you probably shouldn't be in the business. (Or any business, really. Or perhaps you might want to consider life in a solitary cave, because at some point, someone will be angry with you.)<br /><br />As a business strategy, trying to avoid having people pissed off at you is one thing. (Particularly when stockholders are involved.) But on a personal level, there are far more important things in life to worry about than random people getting angry at you. (Should you go out of your way to behave in a way that's likely to piss people off? No. That would make you an obnoxious a**hole.) But I digress...<br /><br />Someone just texted to tell me Justin posted photos of a side by side comparison of himself waving on top of a car, with a picture of Michael Jackson waving on top of a car. This confirms my first thought the other day when I awoke to hear Justin had been arrested for DUI:<br /><br />Michael Jackson all over again. Except, Michael was much older when he really started to unravel. Michael made it to 50. <br /><br />If things continue at this pace, Justin won't have that luxury. And he's nowhere close to having Michael's legacy. <br /><br /><br /><br />Follow me on Twitter @MusicBizAdvice .</span>RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.comtag:blogger.com,1999:blog-21285910.post-28499171814069476992013-11-22T01:04:00.001-08:002014-06-24T21:08:18.546-07:00New On MusicBizAdvice.com: Marketing and Promotion Blunders, and Tips to Help You Get it Right <span style="font-family: "Trebuchet MS", sans-serif;">Over on <a href="http://musicbizadvice.com/">MusicBizAdvice.com</a>, we've posted two new articles containing dos and don'ts of Marketing and Promotion:<br /><br /><i><a href="http://musicbizadvice.com/advice/howto/marketing-and-promotion-blunders-part-one-dont-let-this-happen-to-you/" target="_blank">Marketing and Promotion Blunders Part One: Don't Let This Happen to You</a></i></span><br />
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<span style="font-family: "Trebuchet MS", sans-serif;">and </span><br />
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<span style="font-family: "Trebuchet MS", sans-serif;"><a href="http://musicbizadvice.com/uncategorized/marketing-and-promotion-blunders-part-two-four-crucial-tips-to-remember/" target="_blank"><i>Marketing and Promotion Blunders Part Two: Four Crucial Tips to Remember</i></a> .<br /><br />I wrote these articles using real-life examples from promo pieces sent to my email box. </span><span style="font-family: "Trebuchet MS", sans-serif;"><span style="font-family: "Trebuchet MS", sans-serif;">When I write How-Tos, I prefer to focus on how you can get it right, as opposed to what others do wrong, but the blunders in these were so unbelievably bad, I had to share them with you. (One was from a company that teaches marketing webinars and charges thousands of dollars for their marketing software.)<br /><br /> Here's hoping these tips will help you, and that you'll have more success with your marketing and promotion efforts than the senders of the original emails<span style="font-size: x-small;">!</span><br /><br />RR<br /><br /><br /> </span>Follow me on Twitter @MusicBizAdvice .<br /></span><br />
<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS", sans-serif;">© 2013 <a href="http://www.randireed.com/" target="_blank">Randi Reed</a> and <a href="http://musicbizadvice.com/">MusicBizAdvice.com</a> . </span></span><br />
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<span style="font-family: "Trebuchet MS", sans-serif;"></span><br />RandiReedMusicBizAdvice(dot)comhttp://www.blogger.com/profile/13389455566967494077noreply@blogger.com