What a week...
Four hard deadlines, two more soft deadlines I really want to wrap up, and Mötley Crüe at the Hollywood Bowl.
For that matter, what a month.
Things I learned this month (and it ain't over yet):
1. If you want to be busier than ever, buy a good book you've been wanting to read. Your phone, texts, and email will go crazy, and the book will remain untouched. If it's a hard copy, it will remain exactly where you put it when you opened it.
2. Doing two all-nighters and a three:AM-er back-to-back in a week to complete a last minute project is possible, though not necessarily recommended. (If you attempt it, your favorite Barista will begin making your drink before you even speak.)
3. Mötley Crüe at the Bowl + and your mom finally being declared Leukemia-free after months of countless rounds of chemo all in the same month?
= F**cking Priceless!!! :-)
4. I gotta get a new exclamation phrase.
5. Alice Cooper is an amazing performer. I'd booked him or worked on his shows many times over the years but had never managed to actually see his show (occupational hazard). If you want to learn how to command a stage, try to find a clip of Alice doing "Billion Dollar Babies" at the Bowl last week (7/2114), and watch how he moves. It's not how much he moves--it's the way he moves. Alice is just as commanding when he stands still.
6. I already knew this, but this is for those of you who've found this blog via keywords like "How did Nikki Sixx get clean?" because of this post from 2008:
You can do it, and work your butt off at it, your life can be even better than you've ever imagined. Witness: Nikki Sixx at the Hollywood Bowl last week. I remember when no one thought that man would live, and many people wrote him off and still won't talk to him because of things he said and did as a practicing addict. He stepped up, he did the work, and he still works hard every day to keep the great life he's slowly earned back. If Nikki Sixx can do it, I truly believe anyone can.
7. Carl's Jr. does still have the Charbroiled Teriyaki Chicken sandwich. It's not on the menu, but they do still have it, pineapple and all. ;-)
8. Always remind your nervous lead singer to take off his laminate before going out onstage. (If he's really new, remind him to hand you his wallet and keys, because he's probably wearing those, too.)
Now if I can just squeeze in that website redesign before the end of the summer...Oh, and I need to do some stuff to our much-neglected Pinterest. And about my Bio, which can't decide what font size it's going to display...
Yeah, yeah, yeah, they're coming...
No, but seriously, you'll be seeing changes to a lot of stuff in coming weeks and months, and you'll see a lot of things being taken offline, altered, and put back up again. Basically, a lot of experiments...er, uh, "Beta Testing." (Get real. It's experimentation.) Your patience is appreciated.
Hope your summer is going great, too!
RR :-)
MusicBizAdvice.com Editor-in-Chief Randi Reed shares music industry tips, advice, editorials, and observations on the music business. Topics include songwriting, artist management, booking, concert promotion, publishing, indie music, DIY, and other advice for musicians.
Showing posts with label Randi Reed. Show all posts
Showing posts with label Randi Reed. Show all posts
Sunday, July 27, 2014
Monday, June 30, 2014
I’m in Chris Brogan’s Business Blog Talking About Female Freaks, And Ten Ways You Can Apply It To Your Own Career
Yep,
I thought that title would get your attention. It'll make sense in a sec.
This morning I woke up to discover something I wrote is featured in Chris Brogan’s June 26 business blog
post. Chris Brogan happens to be the author of one of
my favorite business books for creatives, The Freaks Shall Inherit the
Earth: Entrepreneurship for Weirdos, Misfits, and World Dominators.
I’m incredibly honored, humbled, and-I-don't-know-what -ed. Wow...And holy crap!
For perspective, Chris Brogan is a respected business consultant and New York Times best-selling author. He’s been interviewed for Forbes multiple times, he's written for many business publications such as Success, and he gives speeches about business stuff a lot of creative people don't like to think about. He's also consulted for Disney, among others. His latest book, The Freaks Shall Inherit the Earth, has endorsement blurbs from Seth Godin, Anthony Robbins, Amanda Palmer, and Steven Pressfield, who was on the Oprah Winfrey Network last week. (Which reminds me...Chris has also been on Dr. Phil.)
I’m incredibly honored, humbled, and-I-don't-know-what -ed. Wow...And holy crap!
For perspective, Chris Brogan is a respected business consultant and New York Times best-selling author. He’s been interviewed for Forbes multiple times, he's written for many business publications such as Success, and he gives speeches about business stuff a lot of creative people don't like to think about. He's also consulted for Disney, among others. His latest book, The Freaks Shall Inherit the Earth, has endorsement blurbs from Seth Godin, Anthony Robbins, Amanda Palmer, and Steven Pressfield, who was on the Oprah Winfrey Network last week. (Which reminds me...Chris has also been on Dr. Phil.)
"Freaks,"
in
Chris Brogan’s terms, are people who do things differently. Freaks are
creative people who don’t fit into the usual corporate structure. Freaks
stand out and are misunderstood by corporate types. Or, Freaks may look
average, but they don’t fit into their particular industry’s neat little boxes.
As someone who was once told, “You think too much like a musician” by someone who represented musicians and then half an hour later was told, "You think too much like a Suit" by someone from the same company, I could relate. So, recently, after hearing Chris speak, I bought a copy of The Freaks Shall Inherit the Earth.
As someone who was once told, “You think too much like a musician” by someone who represented musicians and then half an hour later was told, "You think too much like a Suit" by someone from the same company, I could relate. So, recently, after hearing Chris speak, I bought a copy of The Freaks Shall Inherit the Earth.
As
I was reading it I thought, “This is a fantastic book!” I liked Chris’s concept of monchu
and his matter-of-fact advice. His step-by-step plans for people who didn't
know where to begin were dead on. The more I read, the more I couldn’t wait to
share it with you...
…until
page 171, which included this sentence:
“I
would love to see the first amazing female freak being her own weird self at a
huge corporation in my lifetime.”
Huh???
I
stopped reading, grabbed the green pen I’d been been using for underlining, and
began scribbling names in the margin of the book. In less than five minutes I
had a list of successful female Freaks spanning not only Chris Brogan’s
lifetime, but his mom’s lifetime, and his grandmother’s lifetime:
![]() |
| (Photo: Randi Reed / MusicBizAdvice Blog) |
I should add, the subject of "women in business" isn't something I'm comfortable talking about. While it’s true I’ve been one of “the first” or "only" several times in my career and have interesting stories about that, the idea of making a big deal out of being a woman in business baffles me. I’d rather be treated equally at work than singled out or “celebrated” for my chromosomes. After all, the guys don't refer to themselves as "male musicians" or "Men in Entertainment".
Exclusion
is another matter, though. Just who the heck was this Chris Brogan character,
anyway? Was he a sexist idiot? Or was he a fellow human being who, nearing the
end of his book, maybe suffered writer’s fatigue and had a brainfart his editor
happened to miss?
I
decided to find out. So, I emailed Chris, giving him the benefit of the doubt.
I also included the list of women I’d written in the margin of his book, with a
couple of sentences about what made each one a “Freak” according to his
terms of Freakiness in the book.
Meanwhile,
I wondered how or if I could still recommend Chris's book. Damn that page
171!!!
I
fully expected no response, or perhaps a defensive one. A book is an author’s
baby, after all, and who the heck was I to tell a best-selling business author
what he’d omitted?
Chris
couldn’t have been nicer about it. He emailed back with a friendly reply,
and as it turns out, he liked my list. We had a nice email exchange, and I’d be
pleased to have Chris as part of my monchu any day.
Expecting
that to be all, this morning I was pleasantly surprised to hear about this post:
Chris Brogan printed my list, word for word, giving me full credit. Then he went the extra mile by linking to my bio. (Thank you, Chris. That was really cool of you!)
Chris Brogan printed my list, word for word, giving me full credit. Then he went the extra mile by linking to my bio. (Thank you, Chris. That was really cool of you!)
So,
fellow Freaks, what can you take away from this?
1.
Be nice, but stand up for yourself.
2. State your case in a way that cuts the other person some slack.
3. Wait and re-read that email, Tweet, or Facebook post instead of just firing it off.
4. Be open to what the other person has to say in response.
2. State your case in a way that cuts the other person some slack.
3. Wait and re-read that email, Tweet, or Facebook post instead of just firing it off.
4. Be open to what the other person has to say in response.
5.
Look for common ground. (Chris Brogan and I have the same "would like to
meet" business mentor: Sir Richard Branson.)
6.
Let go of the outcome.
7.
When someone shares something with you, be generous in giving them credit, as
Chris did.
8.
Go the extra mile: give a little more than might be expected.
9.
When someone acknowledges you or something you've done, be appreciative and grateful, and use
that to open the next door--even if you're a little uncomfortable promoting
yourself.You've gotta eat, so work it.
…and
lastly…
10.
Read Chris’s book!!!
There’s great stuff in there. (No, this link isn't an affiliate
link. Timing, people, timing.)
Follow me on Twitter @MusicBizAdvice .
Follow me on Twitter @MusicBizAdvice .
Thursday, March 20, 2014
Randi Reed Bio
Randi Reed
Founder/ Editor in Chief, MusicBizAdvice.com
Music Business Consultant, Internet Publisher, Writer, Speaker
Randi Reed is a music business consultant who specializes in live music industry troubleshooting. But that’s only half the story. “Trouble shooing would be a better description. My job is to find the problem, resolve it, and teach clients how to avoid more problems in the future. I want musicians to win.”
Randi Reed also has a flair for making lemonade out of lemons. Case in point: in early 1997, in the midst of a platinum level career in booking, artist management, and concert promotion, she was sidelined by the autoimmune disease CFIDS. Battling vertigo, dizziness, and cognitive issues, but still undaunted, Reed started an online resource for unsigned and independent musicians--while confined to bed. "I'm really stubborn," says Reed. "I just refused to allow the disease to keep telling me no." A few name and format changes later as she recovered, that online resource evolved into MusicBizAdvice.com, an online magazine in web publication since 2003.
Born in the Midwest and transplanted to California's Coachella Valley in her early teens, Randi Reed began her music career at 16 as a singer and songwriter in a local band. “My singing career was short-lived, but it definitely affected the way I work with musicians,“ says Reed. “I was passionate about music, but I had constant throat problems and didn’t love singing enough to be miserable. By then I was co-managing our band and enjoyed the behind-the-scenes aspects, so I decided to go into management. My parents probably thought I’d be a novelist, or maybe write for Rolling Stone." (Reed is a former college journalism award winner.)
Advised early on by a prominent talent manager to learn as much about as many different facets of the music industry as possible, Reed set about learning the business “from all sides of the contract—everything from working at a music store, to working for a symphony during the day while working with local metal bands at night, to writing another artist’s fan club materials.” Meanwhile, she immersed herself in the local music scenes in Southern California and Arizona.
Her national-level break came in the form of an internship with illustrious concert promoter Danny Zelisko. It would prove pivotal in every sense of the word: half a decade and a move to Los Angeles later, in an odd twist of fate Reed would work for a Pollstar Concert Industry Award winning talent agency--for an agent responsible for the booking territory covering Zelisko’s venues. “Both sides of the contract, totally unplanned," says Reed, who had originally applied for another position within the agency. “I couldn’t have asked for better experience in major concerts.” Meanwhile, she continued to work on a variety of music industry projects, including a stint assisting a Billboard Top 10 pop metal artist she declines to name. “That it was brief was a blessing,“ says Reed. “Had the Internet and social media culture existed as we know it today, I would have known they'd been through six management companies in three years, and who knows how many agents. No one was talking because of confidentiality agreements, so I only had half the story going in. Let's just say it was a great learning experience!"
Fast forward to 2014, and management performance audits and music industry background checks are some of the services Reed offers in her role as a music business consultant. But whether checking out that new manager a band is thinking of hiring, or helping indie musicians sort out issues that can arise from trying to road manage themselves on tour, or showing artists ways of improving their live performances, or even advising a non-profit about planning a benefit concert, one constant remains: for Randi Reed, it’s all about live music.
But does she miss singing? "Absolutely not! But I'm grateful it taught me what it takes to go onstage, and what it feels like when the show's going really well, or how part of you just wants to die when your voice gives out in front of a crowd. That's why I'm so passionate about helping musicians succeed."
Founder/ Editor in Chief, MusicBizAdvice.com
Music Business Consultant, Internet Publisher, Writer, Speaker
Randi Reed is a music business consultant who specializes in live music industry troubleshooting. But that’s only half the story. “Trouble shooing would be a better description. My job is to find the problem, resolve it, and teach clients how to avoid more problems in the future. I want musicians to win.”
Randi Reed also has a flair for making lemonade out of lemons. Case in point: in early 1997, in the midst of a platinum level career in booking, artist management, and concert promotion, she was sidelined by the autoimmune disease CFIDS. Battling vertigo, dizziness, and cognitive issues, but still undaunted, Reed started an online resource for unsigned and independent musicians--while confined to bed. "I'm really stubborn," says Reed. "I just refused to allow the disease to keep telling me no." A few name and format changes later as she recovered, that online resource evolved into MusicBizAdvice.com, an online magazine in web publication since 2003.
Born in the Midwest and transplanted to California's Coachella Valley in her early teens, Randi Reed began her music career at 16 as a singer and songwriter in a local band. “My singing career was short-lived, but it definitely affected the way I work with musicians,“ says Reed. “I was passionate about music, but I had constant throat problems and didn’t love singing enough to be miserable. By then I was co-managing our band and enjoyed the behind-the-scenes aspects, so I decided to go into management. My parents probably thought I’d be a novelist, or maybe write for Rolling Stone." (Reed is a former college journalism award winner.)
Advised early on by a prominent talent manager to learn as much about as many different facets of the music industry as possible, Reed set about learning the business “from all sides of the contract—everything from working at a music store, to working for a symphony during the day while working with local metal bands at night, to writing another artist’s fan club materials.” Meanwhile, she immersed herself in the local music scenes in Southern California and Arizona.
Her national-level break came in the form of an internship with illustrious concert promoter Danny Zelisko. It would prove pivotal in every sense of the word: half a decade and a move to Los Angeles later, in an odd twist of fate Reed would work for a Pollstar Concert Industry Award winning talent agency--for an agent responsible for the booking territory covering Zelisko’s venues. “Both sides of the contract, totally unplanned," says Reed, who had originally applied for another position within the agency. “I couldn’t have asked for better experience in major concerts.” Meanwhile, she continued to work on a variety of music industry projects, including a stint assisting a Billboard Top 10 pop metal artist she declines to name. “That it was brief was a blessing,“ says Reed. “Had the Internet and social media culture existed as we know it today, I would have known they'd been through six management companies in three years, and who knows how many agents. No one was talking because of confidentiality agreements, so I only had half the story going in. Let's just say it was a great learning experience!"
Fast forward to 2014, and management performance audits and music industry background checks are some of the services Reed offers in her role as a music business consultant. But whether checking out that new manager a band is thinking of hiring, or helping indie musicians sort out issues that can arise from trying to road manage themselves on tour, or showing artists ways of improving their live performances, or even advising a non-profit about planning a benefit concert, one constant remains: for Randi Reed, it’s all about live music.
But does she miss singing? "Absolutely not! But I'm grateful it taught me what it takes to go onstage, and what it feels like when the show's going really well, or how part of you just wants to die when your voice gives out in front of a crowd. That's why I'm so passionate about helping musicians succeed."
###
Artists Worked With:
Concerts produced by companies Randi Reed has worked with are mentioned in several books about rock and roll, including The Dirt by Mötley Crüe, Walk This Way: The Authorized Biography of Aerosmith, Planet Rock by Lonn Friend, and The Heroin Diaries by Nikki Sixx.
Clients of firms Randi Reed has worked with, concerts produced by firms she's worked with, and artists she's worked with in a variety of capacities include:
Clients of firms Randi Reed has worked with, concerts produced by firms she's worked with, and artists she's worked with in a variety of capacities include:
38 Special
Aerosmith
After 7
Air Supply
Al B. Sure
Alan Thicke
Alice Cooper
Alice in Chains
Allman Brothers Band
Anne Murray
Another Bad Creation
Anthrax
Arcade
Arsenio Hall
Bad Religion
Barbara Streisand
Barry Manilow
Beach Boys
Bell Biv De Voe
Ben FoldsBen Harper
Big Daddy Kane
Blind Melon
Bob Saget
Bob Seger
Bobby Brown
Bobby Collins
Bobby’s World
Bobcat Goldthwait
Bon Jovi
Boyz II Men
Brandy
Brett Butler
Brian Setzer Orchestra
Bruce Springsteen
Bryan Adams
Buffalo Tom
Bugs Bunny on Broadway
Butthole Surfers
Candlebox
Carrot Top
Catherine Wheel
CCR
Celine Dion
Charlatans U.K.
Cheap Trick
Cher
Cheryl Crow
Chris Rock
Cinderella
Circle Jerks
Clawhammer
Collective Soul
Coolio
Corrosion of Conformity
Creedence Clearwater Revisited
Crowbar
Cry of Love
Dana Carvey
Dance Hall Crashers
Dave Collier
David Lee Roth
David Spade
Dean Martin
Dennis Miller
Diana Ross
Dinosaur Jr
Dokken
Dolly Parton
Don Rickles
Dr. Dre
Echobelly
Ed O’Neill
Eddie Money
Edwin McCain
Elayne Boosler
Ellen Cleghorne
Ellen DeGeneres
EMF
Erasure
Everly Brothers
Extreme
Failure
Faith Evans
Faith No More
Fight (Rob Halford)
Flaming Lips
Flotsam and Jetsam
Foghat
Four Tops
Frank Sinatra
Frankie Valli & The Four Seasons
Freddie Jackson
Fuzzy
G. Love & Special Sauce
Gallon Drunk
Gary Moore
Gene Kelly
George Benson
George Carlin
George Wallace
Giant Sand
Gigolo Aunts
Gin Blossoms
Gipsy Kings
Glenn Frey
Gods Child
Goo Goo Dolls
Grateful Dead
Gregg Allman Band
Hammer
Hazel
Heart
Heavy D. & The Boyz
Helium
Helmet
Horace Brown
H.O.R.D.E.
H.O.R.D.E. Festival
House of Love
Howie Mandel
Imperial Drag
INXS
Iron Maiden
Isley Brothers
Jamie Walters
Jars of Clay
Jay Leno
Jean-Luc Ponty
Jewel
Jill Sobule
Jodeci
Joe Walsh
John Pinette
Juliana Hatfield
Julio Iglesias
Kate Clinton
Keith Sweat
Kenny Rogers
Kings X
KISS
KORN
Kris Kristofferson
Laundromat
Lemonheads
Lillith Fair
Liz Phair
Liza Minelli
LL Cool J
Lollapalooza
London Suede
Lorrie Morgan
Louie Anderson
Loverboy
Luke Torres
Madonna
Magic of MGM The Lion Roars
Manhattan Transfer
Manic Street Preachers
Marry Me Jane
Marsha Warfield
Mary J Blige
Meatloaf
Megadeth
Method Man
Michael Bolton
Michael Crawford
Michael Feinstein
Michael Nitro Band
Michael Richards
Michel’le
Monster Magnet
Moody Blues
Morrissey
Mötley Crüe
Mudhoney
Neds Atomic Dustbin
Nelson
New Edition
Nirvana
Notorious B.I.G.
O.M.D.
OzzFest
Page/Plant
Pantera
Patti Lupone
Paul Revere & The Raiders
Pavement
Pearl Jam
Pennywise
Peter and the Wolf
Pink Floyd
Possum Dixon
Primus
Proclaimers
Prong
Pulp
Raffi
Ray-J
Red Hot Chili Peppers
Redd Kross
Rickie Lee Jones
Rita Coolidge
Rita Rudner
Rob Halford
Rob Schneider
Robert Plant
Ronnie Milsap
Rush
Screaming Trees
Sex Pistols
Shari Lewis & Lambchop
Sheryl Crow
Shirley MacLaine
Silverchair
Sinbad
Six Finger Satellite
Slaughter
Slayer
Smooth
Snoop Dogg
Social Distortion
Sonia Dada
Sonic Youth
Soundgarden
Southside Johnny
Sponge
Stanley Clarke
Sting
Stone Roses
Strutter
Suddenly Tammy!
Sugar Ray
Superchunk
Superdrag
Susan Anton
Sven Gali
Swervedriver
SWV
Take 6
Tammy Wynette
Teddy Pendergrass
Testament
The Badlees
The Boredoms
The Cramps
The Exploited
The Mommies
The Muffs
The Rat Pack
The Who’s Tommy
Third Eye Blind
Three Dog Night
Tina Turner
Toadies
Todd Rundgren
Tom Poston
Tommy Tune
Tony Danza
Turtle Island String Quartet
Unwritten Law
Usher
Velocity Girl
Vent
Versus
Vince Neil
Warner Bros. Family Entertainment on Ice
Warren Zevon
Waterdog
Wayne Kramer
Willie Nelson
Winger
Wu Tang Clan
Yoko Ono
Aerosmith
After 7
Air Supply
Al B. Sure
Alan Thicke
Alice Cooper
Alice in Chains
Allman Brothers Band
Anne Murray
Another Bad Creation
Anthrax
Arcade
Arsenio Hall
Bad Religion
Barbara Streisand
Barry Manilow
Beach Boys
Bell Biv De Voe
Ben FoldsBen Harper
Big Daddy Kane
Blind Melon
Bob Saget
Bob Seger
Bobby Brown
Bobby Collins
Bobby’s World
Bobcat Goldthwait
Bon Jovi
Boyz II Men
Brandy
Brett Butler
Brian Setzer Orchestra
Bruce Springsteen
Bryan Adams
Buffalo Tom
Bugs Bunny on Broadway
Butthole Surfers
Candlebox
Carrot Top
Catherine Wheel
CCR
Celine Dion
Charlatans U.K.
Cheap Trick
Cher
Cheryl Crow
Chris Rock
Cinderella
Circle Jerks
Clawhammer
Collective Soul
Coolio
Corrosion of Conformity
Creedence Clearwater Revisited
Crowbar
Cry of Love
Dana Carvey
Dance Hall Crashers
Dave Collier
David Lee Roth
David Spade
Dean Martin
Dennis Miller
Diana Ross
Dinosaur Jr
Dokken
Dolly Parton
Don Rickles
Dr. Dre
Echobelly
Ed O’Neill
Eddie Money
Edwin McCain
Elayne Boosler
Ellen Cleghorne
Ellen DeGeneres
EMF
Erasure
Everly Brothers
Extreme
Failure
Faith Evans
Faith No More
Fight (Rob Halford)
Flaming Lips
Flotsam and Jetsam
Foghat
Four Tops
Frank Sinatra
Frankie Valli & The Four Seasons
Freddie Jackson
Fuzzy
G. Love & Special Sauce
Gallon Drunk
Gary Moore
Gene Kelly
George Benson
George Carlin
George Wallace
Giant Sand
Gigolo Aunts
Gin Blossoms
Gipsy Kings
Glenn Frey
Gods Child
Goo Goo Dolls
Grateful Dead
Gregg Allman Band
Hammer
Hazel
Heart
Heavy D. & The Boyz
Helium
Helmet
Horace Brown
H.O.R.D.E.
H.O.R.D.E. Festival
House of Love
Howie Mandel
Imperial Drag
INXS
Iron Maiden
Isley Brothers
Jamie Walters
Jars of Clay
Jay Leno
Jean-Luc Ponty
Jewel
Jill Sobule
Jodeci
Joe Walsh
John Pinette
Juliana Hatfield
Julio Iglesias
Kate Clinton
Keith Sweat
Kenny Rogers
Kings X
KISS
KORN
Kris Kristofferson
Laundromat
Lemonheads
Lillith Fair
Liz Phair
Liza Minelli
LL Cool J
Lollapalooza
London Suede
Lorrie Morgan
Louie Anderson
Loverboy
Luke Torres
Madonna
Magic of MGM The Lion Roars
Manhattan Transfer
Manic Street Preachers
Marry Me Jane
Marsha Warfield
Mary J Blige
Meatloaf
Megadeth
Method Man
Michael Bolton
Michael Crawford
Michael Feinstein
Michael Nitro Band
Michael Richards
Michel’le
Monster Magnet
Moody Blues
Morrissey
Mötley Crüe
Mudhoney
Neds Atomic Dustbin
Nelson
New Edition
Nirvana
Notorious B.I.G.
O.M.D.
OzzFest
Page/Plant
Pantera
Patti Lupone
Paul Revere & The Raiders
Pavement
Pearl Jam
Pennywise
Peter and the Wolf
Pink Floyd
Possum Dixon
Primus
Proclaimers
Prong
Pulp
Raffi
Ray-J
Red Hot Chili Peppers
Redd Kross
Rickie Lee Jones
Rita Coolidge
Rita Rudner
Rob Halford
Rob Schneider
Robert Plant
Ronnie Milsap
Rush
Screaming Trees
Sex Pistols
Shari Lewis & Lambchop
Sheryl Crow
Shirley MacLaine
Silverchair
Sinbad
Six Finger Satellite
Slaughter
Slayer
Smooth
Snoop Dogg
Social Distortion
Sonia Dada
Sonic Youth
Soundgarden
Southside Johnny
Sponge
Stanley Clarke
Sting
Stone Roses
Strutter
Suddenly Tammy!
Sugar Ray
Superchunk
Superdrag
Susan Anton
Sven Gali
Swervedriver
SWV
Take 6
Tammy Wynette
Teddy Pendergrass
Testament
The Badlees
The Boredoms
The Cramps
The Exploited
The Mommies
The Muffs
The Rat Pack
The Who’s Tommy
Third Eye Blind
Three Dog Night
Tina Turner
Toadies
Todd Rundgren
Tom Poston
Tommy Tune
Tony Danza
Turtle Island String Quartet
Unwritten Law
Usher
Velocity Girl
Vent
Versus
Vince Neil
Warner Bros. Family Entertainment on Ice
Warren Zevon
Waterdog
Wayne Kramer
Willie Nelson
Winger
Wu Tang Clan
Yoko Ono
Contact Randi Reed:
Website:
http://www.MusicBizAdvice.com
Mailing Address:
Randi Reed
MusicBizAdvice.com
2219 West Olive Avenue #136
Burbank, CA 91506
Media Contact:
Jinjer Hundley
jhundley@musicbizadvice.com
Jinjer Hundley
jhundley@musicbizadvice.com
Business Inquiries:
Randi Reed, MusicBizAdvice.com Founder/ Editor in Chief
rreed@musicbizadvice.com
Randi Reed / MusicBizAdvice.com on Social Media:
Randi Reed, MusicBizAdvice.com Founder/ Editor in Chief
rreed@musicbizadvice.com
Randi Reed / MusicBizAdvice.com on Social Media:
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